Wednesday, 13 October 2010

Susan Robeson yn yr Eisteddfod / Susan Robeson at the National Eisteddfod

Thanks to the sterling work of the University’s Welsh Language Officers, Swansea University had much higher profile at this year’s National Eisteddfod at Ebbw Vale than ever before. A successful, packed, Alumni event with Jason Mohammed and the launch of Academi Hywel Teifi with Huw Edwards were among the highlights, and the week came to a magnificent climax with Dr Tudur Hallam of the Welsh department winning the Chair for his long poem in tribute to Professor Hywel Teifi Edwards.

CREW also played a prominent part in proceedings. The Eisteddfod had last visited Ebbw Vale in 1958, and the Gymanfa Ganu (singing festival) of that year is particularly remembered due to the presence of the African American singer and activist Paul Robeson, who was introduced to the audience by Aneurin Bevan. Swansea University had the honour of the presence of Paul Robeson’s granddaughter, Susan, at our tent throughout the week. In the proceeding week Susan has been involved in a range of outreach activities arranged by Sian Williams of the Miners Library at Swansea University, including workshops at the National Maritime Museum in Swansea, at Brynaman and at Big Pit in Blaenavon. Susan was a guest at several events throughout the Eisteddfod week, including the launch of Daniel Williams’s edited collection of essays on the connection between African Americans and the Welsh, and his Institute of Welsh affairs annual lecture on ‘Aneurin Bevan and Paul Robeson: Socialism Class and Identity’. John Osmond previewed the lecture on his blog, and it’s available as handsomely produced bilingual booklet from the Institute of Welsh Affairs. Details of the volume Canu Caeth can be found on the website of Gwasg Gomer, and it’s just been reviewed on the BBCs welsh language site.



Diolch i waith diflino Swyddogion Iaith Gymraeg y Brifysgol roedd proffil Prifysgol Abertawe lawer yn uwch ar faes Eisteddfod Genedlaethol Glyn Ebwy nag y bu yn y gorffennol. Cafwyd sawl digwyddiad llwyddiannus iawn, gan gynnwys digwyddiad ar gyfer cyn-fyfyrwyr gyda Jason Mohammed a lansiad Academi Hywel Teifi gyda Huw Edwards. Daeth yr wythnos i ben gyda uchafbwynt addas wrth i Tudur Hallam o’r adran Gymraeg ennill y Gadair am ei deyrnged i'r Athro Hywel Teifi Edwards.

Chwaraeodd CREW rhan flaenllaw yn yr Eisteddfod hefyd. Mae Eisteddfod 1958, y tro diwethaf i’r wyl ymweld a Glyn Ebwy, yn cael ei gofio yn arbennig oherwydd presenoldeb y canwr Affro-Americanaidd Paul Robeson, a gafodd ei gyflwyno i gynulleidfa’r Gymanfa Ganu gan Aneurin Bevan. Cafodd Prifysgol Abertawe y fraint o bresenoldeb wyres Paul Robeson, Susan, yn ein pabell trwy gydol yr wythnos.

Yn yr wythnos flaenorol bu Susan Robeson yn cymryd rhan mewn amrywiaeth o weithgareddau cymdeithasol a drefnwyd gan Sian Williams o Lyfrgell y Glowyr ym Mhrifysgol Abertawe, gan gynnwys gweithdai yn yr Amgueddfa Forwrol Genedlaethol yn Abertawe, ym Mrynaman ac yn y Pwll Mawr ym Mlaenafon. Roedd Susan yn westai mewn nifer o ddigwyddiadau drwy gydol yr wythnos, gan gynnwys lawnsio Canu Caeth, casgliad o ysgrifau ar y cysylltiad rhwng yr Affro-Americaniaid a’r Cymry a olygwyd gan Daniel Williams, a darlith flynyddol y Sefydliad Materion Cymreig ar 'Aneurin Bevan a Paul Robeson: Sosialaeth, Dosbarth a Hunaniaeth '. Cafwyd rhagolwg o’r ddarlith ar flog John Osmond, ac mae ar gael fel llyfryn dwyieithog gan y Sefydliad Materion Cymreig. Gellir cael manylion am y gyfrol Canu Caeth ar wefan Gwasg Gomer, ac mae adolygiad cynnar wedi ymddangos ar safle Gymraeg y BBC.

[Isod: Alun Ffred Jones, Gweinidog Treftadaeth y Cynulliad, Susan Robeson, Daniel Williams, Richard Davies, Is-Ganghellor Prifysgol Abertawe, Iwan Davies, Dirprwy Is-Ganghellor Prifysgol Abertawe, Dylan Williams, Gwasg Gomer]



[Helen Mary Jones, AC a chyfrannwr i Canu Caeth, Daniel Williams, Susan Robeson]



Monday, 11 October 2010

Theorising Wales / Damcaniaethu Cymru

From the 12 – 14 July 2010 the CREW conference ‘Theorising Wales / Damcaniaethu Cymru’ took place at Gregynog Hall near Newtown. The conference was enlivened by a range of papers exploring a diversity of theoretical approaches which addressed issues of gender, language, race, sexuality, (post)colonialism and (post)nationalism.

The keynote papers were delivered by:

Simon Brooks (Cardiff University ) 'Liberal political theory and the failure of Welsh culture in the 19th century'
Glenn Jordan (University of Glamorgan ) 'Mothers and Daughters: Pictures of a Multi-Ethnic Wales'
Gerardine Meaney (University College Dublin ) 'Gender, Ireland and Cultural Change'
Chris Weedon ( Cardiff University ) 'The Cultural Politics of Gender and Difference in Contemporary Wales'
Daniel Williams ( Swansea University) 'Creu’r Diwylliant Mewnol: Iaith a Hil yn Llên Saesneg Cymru’ [‘Constructing the Inner Culture: Language and Race in Welsh Writing in English']

The complete programme can be viewed here: http://www.swansea.ac.uk/CREW/Conferences/TheorisingWales/#d.en.37688

Delegates attended from across the UK, Europe and as far afield as the United States and Canada. Kirsti Bohata, the conference organiser, couldn’t be present as she had just given birth to CREW’s newest member, Brychan Jacob, a week or so before the conference began. Geraldine Lublin from the department of Spanish, Swansea University, stepped in to run the show, and was assisted by CREW students Kieron Smith and Liza Penn-Thomas.

The conference was organized by CREW (Centre for Research into the English Literature and Language of Wales) with the assistance of C-SCAP (Centre for the Study of Culture and Politics) and GENCAS (Centre for Research into Gender, Culture and Society. It was made possible generous financial support from the Richard Burton Centre, School of Arts and Humanities, Swansea University.



Cynhaliwyd y gynhadledd 'Theorising Wales / Damcaniaethu Cymru’ ar Orffennaf 12 – 14 yn Neuadd Gregynog ger y Drenewydd. Cyflwynwyd nifer o bapurau yn archwilio dulliau damcaniaethol o fynd i'r afael â rhywedd, iaith, hil, rhywioldeb, (ol) wladychiaeth ac (ol) genedlaetholdeb yn y Gymru gyfoes.

Y prif ddarlithwyr oedd:
Simon Brooks (Prifysgol Caerdydd) 'Rhyddfrydol theori gwleidyddol a methiant diwylliant Cymru yn y 19eg ganrif'
Glenn Jordan (Prifysgol Morgannwg) 'Mamau a Merched: Lluniau o Gymru Aml-Ethnig'
Gerardine Meaney (Coleg Prifysgol Dulyn) 'Gender, Iwerddon a Newid Diwylliannol'
Chris Weedon (Prifysgol Caerdydd) 'The Gwleidyddiaeth Diwylliannol o Rhywedd a Gwahaniaeth yng Nghymru Gyfoes'
Daniel Williams (Prifysgol Abertawe) 'Creu'r Ysbeidiol Diwylliant: Iaith a Llên in Hil Cymru only' ['Adeiladu'r Diwylliant Mewnol: Iaith a Hil mewn Ysgrifennu Saesneg o Gymru']

Gellir gweld y rhaglen gyflawn yma:http://www.swansea.ac.uk/CREW/Conferences/TheorisingWales/#d.en.37688

Daeth cynadleddwyr o bob rhan o'r DU, Ewrop ac mor bell a’r Unol Daleithiau a Chanada.
Ni allai Kirsti Bohata, trefnydd y gynhadledd, fod yn bresennol gan ei bod wedi rhoi genedigaeth i aelod mwyaf newydd CREW, Brychan Jacob, wythnos neu ddwy cyn i'r gynhadledd ddechrau. Geraldine Lublin o adran y Sbaeneg, Prifysgol Abertawe, a gamodd i’r bwlch, a chafodd ei chynorthwyo gan fyfyrwyr CREW, Kieron Smith a Liza Penn-Thomas.

Trefnwyd y gynhadledd gan CREW (Canolfan Ymchwil i Lên ac Iaith Saesneg Cymru) gyda chymorth C-SCAP (Canolfan ar gyfer Astudio Diwylliant a Gwleidyddiaeth) a GENCAS (Canolfan Ymchwil i Rhyw, Diwylliant a Chymdeithas). Gwnaethpwyd y gynhadledd yn bosibl drwy gefnogaeth ariannol hael oddi wrth Canolfan Richard Burton, Ysgol y Celfyddydau a'r Dyniaethau, Prifysgol Abertawe.

Author-Translator Conference: CREW session now online


On the 29th of June CREW arranged a Plenary Session in the major Author-Translator Conference arranged by Hilary Brown and Duncan Large of the Department of Modern Languages at Swansea University.

The CREW session on ‘Author-Translators in Multilingual Wales’ featured the novelist, poet and essayist Grahame Davies, the novelist Fflur Dafydd and poet Childe Roland.

Grahame and Fflur work in English and Welsh and discussed the process of translating their own works within the charged linguistic context of contemporary Wales. Childe Roland is a Quebecois concrete poet who has lived in Wales since the 1970s and writes in French, English and Welsh, often translating the sound and shape of words as much as their meaning in his work.

Their lectures can now be viewed online at:
http://www.author-translator.net/videos.html

The event was co-sponsored by Academi and is one of several events on which CREW and Academi have been collaborating recently on multilingual literatures in Wales.
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Ar y 29ain o Fehefin fe drefnodd CREW sessiwn mewn cynhadledd fawr ar Gyfieithu a drefnwyd gan Hilary Brown a Duncan Large, o’r Adran Ieithoedd Modern ym Mhrifysgol Abertawe.Roedd sessiwn CREW ar 'Awdur-Gyfieithwyr yn y Gymru Amlieithog' yn cynnwys y bardd a’r nofelydd Grahame Davies, y nofelydd Fflur Dafydd a'r bardd Childe Roland.Mae Grahame a Fflur yn gweithio yn Gymraeg a’r Saesneg a chafwyd trafodaethau difyr gan y ddau ar y broses o gyfieithu o fewn cyd-destun ieithyddol y Gymru gyfoes. Bardd o Quebec yn wreiddiol yw Childe Roland sydd wedi ymgartrefi yng Nghymru ers y 70au ac yn ysgrifennu yn Ffrangeg, Cymraeg a Saesneg. Bydd yn aml yn cyfieithu sain a ffurf geiriau llawn cymaint â'u hystyr.Gellir gwylio’r darlithoedd yma:http://www.author-translator.net/videos.html
Cyd-noddwyd y digwyddiad gan Academi. Bu CREW ac Academi yn cydweithio’n ddiweddar ar lenyddiaeth amlieithog yng Nghymru.

Thursday, 16 September 2010

Successful Writers’ Day at the Dylan Thomas Centre

On Thursday 17 JUNE 2010 the creative writing departments of Swansea University and Trinity University College, Carmarthen, in conjunction with the Dragon Innovation Partnership, held a successful day of discussions and readings to a packed out audience at the Dylan Thomas Centre. This was the first time such an event had been held outside the university, and it provided a wonderful opportunity for students and the wider community of Swansea and Carmarthen to enjoy a day of discussion about writing and publishing, to learn more about the creative writing departments of both universities, and to meet with key figures in the industry. The event featured prominent names from the publishing industry in Wales, such as Dominic Williams from Parthian Books and Gwen Davies from Alcemi Press, as well as featuring top London agent Euan Thorneycroft from AM Heath, who talked eloquently about his role as an agent. The established poet and singer-songwriter Paul Henry also finished the day with a flourish, with a special music and poetry performance, followed by a book signing.


The organiser of the event, Dr. Fflur Dafydd of Swansea University said: “It really was wonderful to see the academic community and wider communities of Swansea and Carmarthen brought together by this event, and the audience was a wonderful combination of aspiring and published writers, book lovers and critics, as well as those interested in the more commercial side of publishing. Hopefully people will have made useful contacts during the day, which will help them make a start in the publishing business, and we hope to be able to run this as an annual event in future.”

The event was sponsored by the Dragon Innovation Partnership, and also featured key contributions from the staff of the creative writing departments of both universities – Professor Stevie Davies, Dr. Jeni Williams, Dr. Fflur Dafydd, and Nigel Jenkins –who talked about their own experiences of publishing in Wales and beyond.

Hay Poetry Jamboree 2: John Goodby's Report

A big thanks from me and Lyndon Davies to all those who performed and turned up to the 2nd Hay-on-Wye Poetry Jamboree, 3-5th June.

Like last year, the good weather had a lot to do with the laid-back spirit and high turnout, but we like to think the varied programme played its part too. Those of you lucky enough to have caught it will have witnessed good sets from Rob Minhinnick and the legendary Peter Meilleur (Childe Roland) to kick things off, the latter ably supported by Sophie McKeand in his rendition of Ham & Jam and A Pearl (brilliantly manic rewritings of Hamlet Act 2 Scene 2 recently published by Hafan Press). Thereafter, things seemed to roll forward in a pretty glitch-free way, with the Friday afternoon session packed with good things from readings from Anthony Mellors (whose set included the immortal ‘Farley’s Rusks’ note from The Gordon Brown Sonnets), Keri Finlayson, and Scott Thurston (reading from Rooms and Internal Rhyme respectively – there were Shearsman-free zones in the Jam, but this wasn’t one of them). After the obligatory improving lecture (me, with ‘Undispellable lost dream’: Welsh modernist and avant-garde poetry’), we moved into top gear with a rousing evening double act of Messrs Halsey and Monk, Alan memorably reprising his time in Hay with the ‘Letters of Change & Exchange’ among others, and Geraldine planting her head firmly in the clouds with a wonderful rendition of the recently reissued Sky Scrapers.

As usual, the post-Jam session wind-downs took place in the garden of Church House in Talgarth, with food brought in – thanks to Chris and Debbie for premises and for the cooking – and plenty of yattering and drinking in the shade of David Greenslade’s yurt (and Georgetta’s devastating Romanian poitin), warming ourselves around a fire fed by slim Faber and Picador volumes, ho ho, as last year’s owl returned to whoo-whoo through the dusk from the trees bordering the stream at the bottom of the garden.

Saturday lived up to most of its promise, with a late morning set from Phil Maillard, Ric Hool and Richard Glyn, reading from his new book Sad Giraffe Café. Despite the news that Randolph Healy had crocked his back and was unable to make it, the rest of the international contingent, in the shape of Claudia Azzola, poet and editor of Traduzionetradizione, and the Italo-Franco-Belgian-Luxembourgeois Jean Portante, were present. Claudia had read on Friday afternoon, translated by Lyndon Davies, and Jean, translated by Zoe Skoulding, read in one of the Jam’s daytime highlights, the Saturday Poetry Wales session, which included contributions from Tilla Brading, Cris Paul, and Carol Watts. Ian Davidson, the Bangor poet, read some of his cool and thoughtful meditations on language, landscape and politics in a set that tempered the heat outside. The afternoon also featured the launch of the latest issue of Angel Exhaust, the long-awaited # 21 Each Aeon Free After the First One – The Welsh Underground special issue, with Andrew Duncan detailing the labours that have gone into the making of this epochal volume, such as the unearthing forgotten masters like Paul Evans and Philip Jenkins, and the commissioning of new material by the legendary-incendiary Aberystwyth trio of However Introduced to the Soles, Niall Quinn, Nick Macias and Nic Laight. By popular request (OK, organisers perogative) Samantha Wynn-Rhydderch was also back after her impressive reading the year before for a longer slot.

2010 was the year the Jam went multi-media. On Friday there had been a screening in the chapel next door of a slew of shorts organized by John, of Swansea’s Elysium Gallery; on Saturday it hosted the Quantum Brother’s nouvelle-vague-meets-Burroughs-meets-disco-and-dub Beginner’s Guide to Radial City. The Brothers’ thrillingly dystopian vision was followed by the materialization in the vestry of the performance artist Kath Ashill, clad in a silver dress, perched beside a table of cakes which, one by one, as we parted the curtains and entered, we were invited to feed her, by hand. (This gloriously sticky ill-by-mouth scenario would later require an antidote of vinegar-drenched chips as Kath lay outside recovering, but no matter; we’d all taken to heart the point she was making about intimacy and consumerism. Maybe.) All of which was a prelude to the culmination of the Jam in two mighty readings, by Elisabeth Bletsoe and Caroline Bergvall. After nuggets from Pharmocopoeia, Elisabeth blasted us with three of the Hardy heroines ventriloquised and earthed in her Landscape from a Dream, in a set so electrifying that at one point a nearby kettle started switching itself on and off. And, after the blue fire and thunder, Caroline’s rendition in cod Middle English of her modern versionings of The Canterbury Tales – The Wife of Bath lewd, thonged and hot to trot was just one of her personae – had us gasping at verbal dexterity that would have left Danny Kaye tongue-twisted. A suitably wry, witty, sensual, comic-cosmic performance to close the poetic proceedings.

After which it was time for the band – Chris Twigg and Chicken of the Woods (think a Bromsgrove bluegrass Tristan Tzara accompanied mandolin and double bass) – and Geraldine kicking away the furniture and getting everyone (OK, the girls anyway) for a Bacchantic fling, before departing to a final meal and drink back at Church House, Lyndon and me swearing we would never do it again / just had to do it again.

Photos are on the Jam website, and mine and Lyndon’s Facebook pages. Anyone who was there who wants to give us feedback, comments, curses, blessings, please do. Any photos, too, please share them with us.

A last thank-you to our sponsors – Academi, Susie W. for organising the 24-hour poetry marathon fundraiser, CREW (the Centre for Research into English Literature and Language in Wales, Swansea University), Chris Ozzard and his tremenjous Blast House support gig. And to all those who helped, too many names missed out here, but Geoff whose Oriel Gallery we used, Steve the Soundman, Penny Hallas for the magnificent art work adorning the walls, and the rest of you - you know who you are.

Peter Lord at Hay on Wye / Peter Lord yng Ngwyl y Gelli

If the CREW blog has witnessed something of a summer hiatus, members of the centre have been very busy throughout the summer months. We’ll try and catch up with all that’s been going on in the next few entries, starting with our Research Fellow Peter Lord at the Hay Literary Festival. Peter introduced his award winning book The Meaning of Pictures to a packed audience.


The book was long listed for the prestigious Berger Prize for British Art History 2010.
The William Berger Prize for British Art History is awarded annually to a scholarly publication that demonstrates outstanding achievement in the field of British Art History. Awarded jointly by The British Art Journal and the Berger Collection Educational Trust, the Berger prize is recognized as the most prestigious award in its field. The Meaning of Pictures was also Longlisted for this year’s Academi Welsh Book of the Year.

Friday, 11 June 2010

Celebration of Writing

A CELEBRATION OF WRITING AT THE DYLAN THOMAS CENTRE

THURSDAY 17 JUNE 2010

The creative writing departments of Swansea University and Trinity University College, Carmarthen, in conjunction with the Dragon Innovation Partnership, are hosting a one day event at the Dylan Thomas Centre to celebrate writing. The free event will include discussions, readings and an opportunity to meet key industry figures. There will be representation from Parthian Books (DominicWilliams) Alcemi Press (Gwen Davies) and a chance to hear top London agent Euan Thorneycroft from AM Heath talk about his role as an agent in the publishing business.

The poet and songwriter Paul Henry will perform his poetry and music and talk about his successful publishing history, and the staff of the creative writing departments of both universities – Professor StevieDavies, Dr JeniWilliams, Dr Fflur Dafydd, and Nigel Jenkins ‐ will talk about their own experiences as teachers and published authors. There will also be an opportunity to buy books and a chance to chat informally to contributors after each session. The programme for the day is available to view at http://www.academi.org/home/i/136772/


Sessions start from 10.15 am

This is a FREE event, and all are welcome, but in order to secure a place, please ring the Dylan Thomas Centreon 01792 463980


DIWRNOD AWDURON YNG NGHANOLFAN DYLAN THOMAS, ABERTAWE DYDD IAU, MEHEFIN 17AIN 2010 – MYNEDIAD AM DDIM

Ar ddydd Iau, Mehefin 17ain, fe fydd adrannau ysgrifennu creadigol Prifysgolion Abertawe a’r Drindod, mewn cydweithrediad gyda Partneriaeth Arloesi’r Ddraig, yn cynnal diwrnod o sgyrsiau llenyddol a darlleniadau. Fe fydd hyn yn gyfle i’r cyhoedd gael blas o’r hyn sy’n digwydd ar gyrsiau ysgrifennu y ddwy brifysgol, yn ogystal â bod yn gyfle gwerthfawr i glywed cyhoeddwyr ac awduron yn sgwrsio am eu profiadau yn y byd cyhoeddi. Fe fydd ‘na hefyd gyfle prin i glywed yr asiant Euan Thorneycroft o asiantaeth AM Heath yn Llundain, un o brif asiantaethau llenyddol Prydain, yn son am rôl yr asiant o fewn y byd cyhoeddi.

Fe fydd y rhaglen yn cynnwys sgwrs rhwng yr awdur Fflur Dafydd a’r golygydd Gwen Davies o wasg Alcemi, darlleniadau a pherfformiadau gan y bardd a’r cyfansoddwr Paul Henry, sgwrs gan Dominic Williams o wasg Parthian, ac ymddangosiadau gan yr awdur Stevie Davies a’r bardd Nigel Jenkins. Fe fydd ‘na gyfle hefyd i brynu llyfrau ac i sgwrsio’n anffurfiol gyda’r cyfranwyr rhwng sesiynau.

Mae’r digwyddiad yn rhad ac am ddim, ac ar agor i unrhyw un sydd â diddordeb mewn llenyddiaeth. Er mwyn sicrhau eich lle, rhowch ganiad i Ganolfan Dylan Thomas ar 01792 463980. Fe fydd y sesiwn gyntaf yn dechrau am 10.15y bore, ac mae’r amserlen lawn i’w gweld ar:
http://www.swan.ac.uk/news_centre/WhatsHappening/Headline,46759,en.php



Timetable / Amserlen
10.15 – 11.30 Fflur Dafydd and Gwen Davies
11.30 – 12.00 Coffee
12.00 – 1.15 Euan Thorneycroft from AM Heath with Stevie Davies
1.15 – 2.15 Lunch
2.15 – 3.30 Dominic Williams, Parthian
3.30 – 4.00 Coffee break
4.00 – 5.15 Paul Henry