tag:blogger.com,1999:blog-83528136607457159582024-03-06T00:18:29.312+00:00CREW BlogKirsti Bohatahttp://www.blogger.com/profile/04929112925108258527noreply@blogger.comBlogger175125tag:blogger.com,1999:blog-8352813660745715958.post-35106413621402001072022-05-18T19:22:00.002+01:002022-05-18T19:22:08.884+01:00Cynhadledd Astudiaethau Cymreig / Postgraduate Conference in Welsh Studies<h1 style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 24pt; margin-bottom: 0px; margin-left: 0px; margin-right: 0px;"><span style="border: 0px; color: inherit; font-family: inherit; font-size: 16pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Gynhadledd Astudiaethau Cymreig</span><span style="border: 0px; color: #2f5496; font-family: "Calibri Light", sans-serif; font-size: 16pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: normal; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"></span></h1><h1 style="background-color: white; break-after: avoid; color: #201f1e; font-family: Calibri, sans-serif; font-size: 24pt; margin-bottom: 0px; margin-left: 0px; margin-right: 0px;"><span style="border: 0px; color: inherit; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; color: inherit; font-family: inherit; font-size: 16pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Postgraduate Conference in Welsh Studies</span></span><span style="border: 0px; color: #2f5496; font-family: "Calibri Light", sans-serif; font-size: 16pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: normal; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"></span></h1><h1 style="background-color: white; break-after: avoid; color: #201f1e; font-family: Calibri, sans-serif; font-size: 24pt; margin-bottom: 0px; margin-left: 0px; margin-right: 0px;"><span style="border: 0px; color: inherit; font-family: inherit; font-size: 16pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Canolfan Richard Burton Centre</span><span style="border: 0px; color: #2f5496; font-family: "Calibri Light", sans-serif; font-size: 16pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: normal; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"></span></h1><p aria-hidden="true" style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"> </p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><b><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Dydd Mercher 25 Mai 2022</span></b></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><b><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Wednesday 25 May 2022</span></b></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><b><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></b></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><b><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Y Studio, Creu Taliesin, Campws Parc, Prifysgol Abertawe</span></b></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><b><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">The Studio Taliesin Create, Park campus, Swansea University</span></b></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p><table border="0" cellpadding="0" cellspacing="0" style="background-color: white; border-collapse: collapse; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, "system-ui", Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit;"><tbody><tr><td style="border: 1pt solid windowtext; padding: 0px 5.4pt; width: 70.65pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">2.00</span></p></td><td style="border-color: windowtext; border-style: solid solid solid none; border-width: 1pt; padding: 0px 5.4pt; width: 380.15pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Guinevere Clark - The Psychogeography of The Mumbles in Swansea through 3 Poems</span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p></td></tr><tr><td style="border-color: windowtext; border-style: none solid solid; border-width: 1pt; padding: 0px 5.4pt; width: 70.65pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">2.30</span></p></td><td style="border-bottom-color: windowtext; border-bottom-width: 1pt; border-right-color: windowtext; border-right-width: 1pt; border-style: none solid solid none; padding: 0px 5.4pt; width: 380.15pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Daniel Jones - Caliban’s Cultural Wounds: Language Loss and Dialect in <i>Sheepshagger </i>and <i>Pigeon</i></span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p></td></tr><tr><td style="border-color: windowtext; border-style: none solid solid; border-width: 1pt; padding: 0px 5.4pt; width: 70.65pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">3.00</span></p></td><td style="border-bottom-color: windowtext; border-bottom-width: 1pt; border-right-color: windowtext; border-right-width: 1pt; border-style: none solid solid none; padding: 0px 5.4pt; width: 380.15pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Egwyl / break</span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p></td></tr><tr><td style="border-color: windowtext; border-style: none solid solid; border-width: 1pt; padding: 0px 5.4pt; width: 70.65pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">3.30</span></p></td><td style="border-bottom-color: windowtext; border-bottom-width: 1pt; border-right-color: windowtext; border-right-width: 1pt; border-style: none solid solid none; padding: 0px 5.4pt; width: 380.15pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Rhys Owens - A Welsh Vision of Empire? Welsh Imperialists and the Indian Empire</span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p></td></tr><tr><td style="border-color: windowtext; border-style: none solid solid; border-width: 1pt; padding: 0px 5.4pt; width: 70.65pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">4.00</span></p></td><td style="border-bottom-color: windowtext; border-bottom-width: 1pt; border-right-color: windowtext; border-right-width: 1pt; border-style: none solid solid none; padding: 0px 5.4pt; width: 380.15pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Aled Jones - 'Bullets, Bibles and Booze: How the Union Army Influenced the Americanisation of Welsh Cultural and National Identity during the American Civil War'.</span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p></td></tr><tr><td style="border-color: windowtext; border-style: none solid solid; border-width: 1pt; padding: 0px 5.4pt; width: 70.65pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">4.30</span></p></td><td style="border-bottom-color: windowtext; border-bottom-width: 1pt; border-right-color: windowtext; border-right-width: 1pt; border-style: none solid solid none; padding: 0px 5.4pt; width: 380.15pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">David Cooke - The Development of Sport in 19<sup>th</sup>-Century Carmarthenshire and Pembrokeshire</span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p></td></tr><tr><td style="border-color: windowtext; border-style: none solid solid; border-width: 1pt; padding: 0px 5.4pt; width: 70.65pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">5.00</span></p></td><td style="border-bottom-color: windowtext; border-bottom-width: 1pt; border-right-color: windowtext; border-right-width: 1pt; border-style: none solid solid none; padding: 0px 5.4pt; width: 380.15pt;" valign="top"><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Diodydd /Drinks</span></p><p style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p></td></tr></tbody></table><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Mae Canolfan Richard Burton yn dod ag arbenigedd ac adnoddau at ei gilydd er mwyn hybu a meithrin ymchwil rhyngddisgyblaethol â ffocws Cymreig a Chymraeg ar draws Prifysgol Abertawe a thu hwnt.</span></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: black; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">The Richard Burton Centre for the Study of Wales brings together expertise and resources in Welsh studies located across Swansea University, encouraging interdisciplinary research of international quality.</span></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px; vertical-align: baseline;"><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Am fwy o wybodaeth ar y canolfan – for more information on the Centre</span></p><p style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"><span style="border: 0px; color: inherit; font-family: inherit; font-size: 12pt; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><a data-auth="NotApplicable" data-linkindex="0" href="https://www.swansea.ac.uk/cultural-institute/richard-burton-centre/" rel="noopener noreferrer" style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" target="_blank">https://www.swansea.ac.uk/cultural-institute/richard-burton-centre/</a></span></p><p aria-hidden="true" style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"> </p><p aria-hidden="true" style="background-color: white; color: #201f1e; font-family: Calibri, sans-serif; font-size: 11pt; margin: 0px;"> </p>Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-19199514336206495272022-04-04T13:44:00.002+01:002022-04-04T13:44:47.836+01:00Brittle with Relics: Kirsti Bohata interviews Richard King<p> </p><p class="xxmsonormal" style="background-color: white; caret-color: rgb(0, 0, 0); font-family: Calibri, sans-serif; font-size: 11pt; margin: 0cm; text-size-adjust: auto;"><span style="color: #201f1e;"> </span><span style="font-size: 10pt;"><o:p></o:p></span></p><div style="caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; text-size-adjust: auto;"><table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="background-color: white; background-position: initial initial; background-repeat: initial initial; border-collapse: collapse;"><tbody><tr><td style="border: 1pt solid windowtext; padding: 0cm 5.4pt; width: 233.75pt;" valign="top" width="312"><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm; text-align: center;"><b><span style="font-size: 10pt;"><br /></span></b><b><span style="color: #002060; font-size: 10pt;">Cyfres Salon Llenyddol y Sefydliad Diwylliannol</span></b><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm; text-align: center;"><b><span style="font-size: 10pt;"><br /></span></b><b><span style="color: #002060; font-size: 14pt;">Dydd Mercher 6<sup>ed</sup> Ebrill<br />12yp – 1yp<br />Creu Taliesin, Campws Singleton</span></b><span style="color: #002060; font-size: 10pt;"><br /><br /></span><b><i><span style="color: #002060; font-size: 16pt;">‘Brittle with Relics’</span></i></b><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm; text-align: center;"><b><i><span style="color: #002060; font-size: 10pt;"> </span></i></b><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0cm; text-align: center;"><b><span style="color: #002451; font-size: 12pt;">Ar y cyd â Canolfan Astudiaethau Cymreig Richard Burton</span></b><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm; text-align: center;"><span style="font-size: 10pt;"> </span><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p style="line-height: 11.8pt;"><span lang="CY" style="color: #002451; font-size: 11.5pt;">Fel rhan o Gyfres Salonau Llenyddol, bydd Richard King yn sgwrsio â Kirsti Bohata, Athro Llenyddiaeth Saesneg a Chyfarwyddwr CREW (y Ganolfan Ymchwil i Lên ac Iaith Saesneg Cymru) ym Mhrifysgol Abertawe.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 11.8pt;"><span lang="CY" style="color: #002451; font-size: 10pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><b><span lang="CY" style="color: #002451; font-size: 12pt;">Llyfr sy'n torri tir newydd am hanes pobl Cymru yn ystod cyfnod o newid cenedlaethol mawr.</span></b><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p><span lang="CY" style="color: #002451; font-size: 12pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><span lang="CY" style="color: #002451; font-size: 12pt;">Yn ystod traean olaf yr ugeinfed ganrif, profodd Cymru effeithiau dad-ddiwydiannu, colli cyflogaeth a chydlyniad cymunedol yn sgil hyn, a brwydr am ei hiaith a'i hunaniaeth, i gyd ar yr un pryd. I raddau helaeth, gorfodwyd y newidiadau hyn ar y wlad a bu'n rhaid i'w llais ei hun, na cheir cytundeb yn ei gylch braidd byth o fewn ei ffiniau, frwydro i gael ei glywed y tu allan i Gymru.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p><span lang="CY" style="color: #002451; font-size: 12pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><span lang="CY" style="color: #002451; font-size: 12pt;">Mae <i>Brittle with Relics</i> yn adrodd hanes pobl Cymru wrth iddynt fynd drwy rai o ddigwyddiadau mwyaf seismig a thrawmatig y wlad: trychinebau Aberfan a Thryweryn; twf mudiad yr iaith Gymraeg; Streic y Glowyr a'i sgil-effeithiau; a'r bleidlais o drwch blewyn o blaid datganoli rhannol.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p><span lang="CY" style="color: #002451; font-size: 12pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><span lang="CY" style="color: #002451; font-size: 12pt;">Gan gynnwys lleisiau Neil Kinnock, Rowan Williams, Leanne Wood, Gruff Rhys, Michael Sheen, Nicky Wire, Siân James, ymgyrchwyr dros y Gymraeg, aelodau'r hen gymunedau glo a llawer mwy, dyma stori hollbwysig am genedl sy'n benderfynol o oroesi, gan goleddu'r gobaith y bydd Cymru, ryw ddydd, yn ffynnu ar ei thelerau ei hun.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p><span lang="CY" style="color: #002451; font-size: 12pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><b><span lang="CY" style="color: #002451; font-size: 12pt;">Richard King</span></b><span lang="CY" style="color: #002451; font-size: 12pt;"> yw awdur <i>Original Rockers</i> (a gafodd ei gynnwys ar restr fer Gwobr Gordon Burn ac ar restr <i>Rough Trade</i>, <i>The Times</i> ac <i>Uncut</i> o lyfrau'r flwyddyn), <i>How Soon is Now?</i> (Llyfr Cerddoriaeth y Flwyddyn <i>The Sunday Times</i>) a <i>The Lark Ascending</i> (Un o lyfrau'r flwyddyn <i>Rough Trade</i>, <i>Mojo</i> a'r <i>Evening Standard</i>, a llyfr rhestr fer Gwobr Penderyn) y cyhoeddwyd pob un ohonynt gan Faber & Faber. Cafodd ei eni i deulu dwyieithog yn ne Cymru a bu'n byw yng nghefn gwlad Powys am yr 20 mlynedd diwethaf.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm;"><span style="font-size: 10pt;"> </span><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm;"><span style="font-size: 10pt;"><br /></span><b><span style="font-size: 14pt;">COFRESTWRCH YMA: </span></b><span style="font-size: 14pt;"> <b><a href="https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.eventbrite.co.uk%2Fe%2Fbrittle-with-relics-richard-king-in-conversation-with-kirsti-bohata-tickets-270869747707&data=04%7C01%7CDaniel.G.Williams%40Swansea.ac.uk%7Cbac1845f9c8f4452277008da010fc162%7Cbbcab52e9fbe43d6a2f39f66c43df268%7C0%7C0%7C637823466129009316%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=ilhzp5DpMnGbrdOFtkWVPz6BUBvBrgT9%2BMHDMx9mwK0%3D&reserved=0" originalsrc="https://www.eventbrite.co.uk/e/brittle-with-relics-richard-king-in-conversation-with-kirsti-bohata-tickets-270869747707" shash="LsrPpSbY69bmUHq+2QmWqWwBUq+baIO8Ojehg7G61Wf/qoRopLD7z3Prc6mPq16ibmdrKkr4EtrjphjJh+LJhbr+VdElxN7nL9hcLg/p148tZ4MWhQe47SFOQEpm84fZ5nH/I9sotJlIibGf/M9Vyu7mSAz2Y28U0idIL0trvJs=" style="color: blue;" target="_blank" title="Original URL: https://www.eventbrite.co.uk/e/brittle-with-relics-richard-king-in-conversation-with-kirsti-bohata-tickets-270869747707. Click or tap if you trust this link."><span style="color: #0563c1;">bit.ly/brittlewithrelics</span></a></b></span><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p></td><td style="border-bottom-color: windowtext; border-bottom-width: 1pt; border-right-color: windowtext; border-right-width: 1pt; border-style: solid solid solid none; border-top-color: windowtext; border-top-width: 1pt; padding: 0cm 5.4pt; width: 233.75pt;" valign="top" width="312"><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm; text-align: center;"><b><span style="font-size: 10pt;"><br /></span></b><b><span style="color: #002060; font-size: 10pt;">Cultural Institute Literary Salon Series</span></b><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm; text-align: center;"><b><span style="color: #002060; font-size: 10pt;"> </span></b><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0cm; text-align: center;"><b><span style="color: #002060; font-size: 14pt;">Wednesday 6<sup>th</sup> April<br />12pm – 1pm<br />Taliesin Create, Singleton Campus</span></b><b><span style="color: #002060; font-size: 10pt;"><br /><br /></span></b><b><i><span style="color: #002060; font-size: 16pt;">‘Brittle with Relics’</span></i></b><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm; text-align: center;"><span style="font-size: 10pt;"> </span><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0cm; text-align: center;"><b><span style="color: #002451; font-size: 12pt;">In association with Richard Burton Centre for the Study of Wales</span></b><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p align="center" class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm; text-align: center;"><span style="font-size: 10pt;"> </span><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p style="line-height: 11.8pt;"><span lang="CY" style="color: #002451; font-size: 11.5pt;">As part of the Literary Salon Series, Richard King will be in conversation with Kirsti Bohata, Professor of English Literature and Director of CREW (Centre for Research into the English Literature and Language of Wales) at Swansea University.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 11.8pt;"><span lang="CY" style="color: #002451; font-size: 10pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><b><span lang="CY" style="color: #002451; font-size: 12pt;">A landmark history of the people of Wales during a period of great national change.</span></b><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p><span lang="CY" style="color: #002451; font-size: 12pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><span lang="CY" style="color: #002451; font-size: 12pt;">In the closing third of the twentieth century, Wales experienced the simultaneous effects of deindustrialisation, the subsequent loss of employment and community cohesion, and the struggle for its language and identity. These changes were largely forced upon the country, whose own voice, rarely agreed upon within its borders, had to fight to be heard outside of Wales.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p><span lang="CY" style="color: #002451; font-size: 12pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><i><span lang="CY" style="color: #002451; font-size: 12pt;">Brittle with Relics</span></i><span lang="CY" style="color: #002451; font-size: 12pt;"> is a history of the people of Wales undergoing some of the country's most seismic and traumatic events: the disasters of Aberfan and Tryweryn; the rise of the Welsh language movement; the Miners' Strike and its aftermath; and the narrow vote in favour of partial devolution.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><span lang="CY" style="color: #002451; font-size: 12pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p><span lang="CY" style="color: #002451; font-size: 12pt;">Featuring the voices of Neil Kinnock, Rowan Williams, Leanne Wood, Gruff Rhys, Michael Sheen, Nicky Wire, Sian James, Welsh language activists, members of former mining communities and many more, this is a vital history of a nation determined to survive, while maintaining the hope that Wales will one day thrive on its own terms.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p><span lang="CY" style="color: #002451; font-size: 12pt;"> </span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p style="line-height: 1.5rem;"><b><span lang="CY" style="color: #002451; font-size: 12pt;">Richard King</span></b><span lang="CY" style="color: #002451; font-size: 12pt;"> is the author of <i>Original Rockers</i> (shortlisted for the Gordon Burn Prize and a <i>Rough Trade</i>, <i>The Times</i> and <i>Uncut</i> Book of the Year), <i>How Soon Is Now?</i> (the <i>Sunday Times</i> Music Book of the Year) and <i>The Lark Ascending</i> (a <i>Rough Trade</i>, <i>Mojo</i> and <i>Evening Standard</i> Book of the Year, shortlisted for the Penderyn Prize), all published by Faber & Faber. He was born into a bilingual family in South Wales and for the last twenty years has lived in the rural county of Powys, in mid-Wales.</span><span style="color: #201f1e; font-size: 11.5pt;"><o:p></o:p></span></p><p class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm;"><span style="color: #050505; font-size: 10pt;"> </span><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 10.5pt; margin: 0cm;"><span style="color: #050505; font-size: 10pt;"> </span><span style="color: #201f1e; font-size: 10pt;"><o:p></o:p></span></p><p class="xxmsonormal" style="font-family: Calibri, sans-serif; font-size: 11pt; margin: 0cm;"><b><span style="font-size: 14pt;">REGISTER HERE: <a href="https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.eventbrite.co.uk%2Fe%2Fbrittle-with-relics-richard-king-in-conversation-with-kirsti-bohata-tickets-270869747707&data=04%7C01%7CDaniel.G.Williams%40Swansea.ac.uk%7Cbac1845f9c8f4452277008da010fc162%7Cbbcab52e9fbe43d6a2f39f66c43df268%7C0%7C0%7C637823466129009316%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=ilhzp5DpMnGbrdOFtkWVPz6BUBvBrgT9%2BMHDMx9mwK0%3D&reserved=0" originalsrc="https://www.eventbrite.co.uk/e/brittle-with-relics-richard-king-in-conversation-with-kirsti-bohata-tickets-270869747707" shash="LsrPpSbY69bmUHq+2QmWqWwBUq+baIO8Ojehg7G61Wf/qoRopLD7z3Prc6mPq16ibmdrKkr4EtrjphjJh+LJhbr+VdElxN7nL9hcLg/p148tZ4MWhQe47SFOQEpm84fZ5nH/I9sotJlIibGf/M9Vyu7mSAz2Y28U0idIL0trvJs=" style="color: blue;" target="_blank" title="Original URL: https://www.eventbrite.co.uk/e/brittle-with-relics-richard-king-in-conversation-with-kirsti-bohata-tickets-270869747707. Click or tap if you trust this link."><span style="color: #0563c1;">bit.ly/brittlewithrelics</span></a></span></b></p></td></tr></tbody></table></div>Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-7006632065915999362021-11-03T16:05:00.003+00:002021-11-03T16:06:16.479+00:00Upcoming Event (7/11/2021): Culture is Ordinary | Film Financed by the Raymond Williams Foundation<p><span color="inherit" style="font-family: inherit; font-size: inherit; font-style: inherit; font-variant-caps: inherit;">Wales Millenium Centre, Weston Studio, Sunday 7 November, 7pm - 7.30pm (FREE): Join us for the film premier of </span><strong style="color: inherit; font-family: inherit; font-size: inherit; font-style: inherit; font-variant-caps: inherit;">Culture is Ordinary,</strong><span color="inherit" style="font-family: inherit; font-size: inherit; font-style: inherit; font-variant-caps: inherit;"> a piece created to mark the centenary of the birth of the Welsh writer and thinker Raymond Williams. Financed by the</span><span color="inherit" style="font-family: inherit; font-size: inherit; font-style: inherit; font-variant-caps: inherit;"> </span><a data-auth="VerificationFailed" data-linkindex="0" href="https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.raymondwilliamsfoundation.org.uk%2F&data=04%7C01%7CEve.Johnson%40Swansea.ac.uk%7C56f4f17dd50a429583d008d99eb4b8e5%7Cbbcab52e9fbe43d6a2f39f66c43df268%7C0%7C0%7C637715321291020829%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&sdata=qJf6twBHTO3khT%2BBVlY5Z7Xmrxc8cNXUKE75RUp%2Bxbw%3D&reserved=0" originalsrc="https://www.raymondwilliamsfoundation.org.uk/" rel="noopener noreferrer" shash="Qsmky44elgyyvjE1mFAlgem7OeWdASfnMeL9F0x7ojRdC18xMG7aFFyscVTvsRR5Y2sUvKsnoHjo7StUmAY8c7pxjuUdDSg2V0BI2Gvdha06W3ffzwmbBTrQpCHVghy/dgEfPhjSivUO5gW+YmYvafkaxe8qDO2tjMYrusA+4VA=" style="border: 0px; font-family: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant-caps: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" target="_blank" title="">Raymond Williams Foundation</a><span color="inherit" style="font-family: inherit; font-size: inherit; font-style: inherit; font-variant-caps: inherit;">, the 20 minute film focuses on the way culture is interpreted by young people in Wales. Directed by Colin Thomas and created by Cardiff-based artist Tom Goddard with new music by Cardiff musician Kiddus Murrell, currently working at Tŷ Cerdd.</span><span color="inherit" style="font-family: inherit; font-size: inherit; font-style: inherit; font-variant-caps: inherit;"> </span></p><p><span color="inherit" style="font-family: inherit; font-size: inherit; font-style: inherit; font-variant-caps: inherit;">Link:<a href="https://www.wmc.org.uk/en/festival-of-voice/2021-artist-line-up/sundays-free-performances" target="_blank"> </a></span><a href="https://www.wmc.org.uk/en/festival-of-voice/2021-artist-line-up/sundays-free-performances" target="_blank">https://www.wmc.org.uk/en/festival-of-voice/2021-artist-line-up/sundays-free-performances</a></p>Eve Johnsonhttp://www.blogger.com/profile/01475267514368444053noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-14478734873685547192021-10-21T11:08:00.001+01:002021-10-21T11:08:36.497+01:00 Raymond Williams in Asia / Raymond Williams yn Asia<p>The next two symposia in the ‘Raymond Williams in the Age of Globalisation’ series are dedicated to Japan (October 22) and China (October 27) respectively. </p><p>Full details of speakers, paper and registration links are on the website:</p><p><a href="https://www.swansea.ac.uk/crew/raymond-williams/the-centenary-symposia/">https://www.swansea.ac.uk/crew/raymond-williams/the-centenary-symposia/</a></p><p>----------------------------------------------</p><p>Ar ddydd Gwener Hydref 22 mi fyddwn yn trafod gwaith Raymond Williams gyda myfyrwyr ac ysgolheigion o Siapan. Fel y mae blogiadau blaenorol yn tystio, dyma berthynas hynod gyfoethog a gychwynnodd gyda ymweliad Shintaro Kono a Takashi Onuki yn 2009. Yna ar Hydref 27 mi fydd ysgolheigion o Tseina yn ymuno gyda ni.</p><p>Manylion llawn ar y wefan: </p><p><a href="https://www.swansea.ac.uk/cy/celfyddydauardyniaethau/ymchwil-y-celfyddydau-ar-dyniaethau/canolfannau-a-grwpiau-ymchwil-celfyddydau-a-dynoliaethau/crew/raymond-williams/cynadleddaur-canmlwyddiant/">https://www.swansea.ac.uk/cy/celfyddydauardyniaethau/ymchwil-y-celfyddydau-ar-dyniaethau/canolfannau-a-grwpiau-ymchwil-celfyddydau-a-dynoliaethau/crew/raymond-williams/cynadleddaur-canmlwyddiant/</a></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3RLYoNT-ho-E6zgAdBGg_vwLVCqLwEBw8Sj9dNbJIudXLd5LOfPUcp9Q5U-0GwMISwrhS7oavpD1UE6iVkzSptHTG67POYv3J_GTpDAmaQa17s6LOQwaQhdpwaJ2T21i7KfZ5foR_IPQ/s2048/JapanBook.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1467" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3RLYoNT-ho-E6zgAdBGg_vwLVCqLwEBw8Sj9dNbJIudXLd5LOfPUcp9Q5U-0GwMISwrhS7oavpD1UE6iVkzSptHTG67POYv3J_GTpDAmaQa17s6LOQwaQhdpwaJ2T21i7KfZ5foR_IPQ/w286-h400/JapanBook.jpeg" width="286" /></a></div><br /><div><br /></div>Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-12459144355222132692021-10-21T10:49:00.003+01:002021-10-21T10:49:37.360+01:00Raymond Williams Symposium in China<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><h4 style="text-align: left;">Dr Zhou Mingying (who has been a Richard Burton Fellow working on the Raymond Williams papers at Swansea University) has written a report on a Raymond Williams that took place at Shaanxi Normal University. Some of those involved with speak at the Raymond Williams in China symposium on October 27th. </h4><h3 style="text-align: left;">Retrospection and Transcendence: Raymond Williams Centenary and Travel of Cultural Studies <br /><br /></h3><p>The Symposium was jointly hosted by Center for the Research of Literary and Cultural Theory of Chinese Academy of Social Sciences, Journal of Theory and Criticism of Literature and Art and School of Chinese Language and Literature of Shaanxi Normal University. Around 35 scholars from many famous Chinese universities and research institutes attended the gathering on the campus of Shaanxi Normal University, Xi’an. They shared their studies on Raymond Williams from their distinct points of view to commemorate this prestigious Western Marxist together.</p><p>The symposium began at 9:00, 25th of September. Professor Su Zhongle ,Dean of School of Chinese Language and Literature, Shaanxi Normal Univeristy, Professor Cheng Wei, Dean of Institute of Foreign Literature, Chinese Academy of Social Sciences, and Professor Lu Taiguang, Deputy Director of Institute of Marxist Literary Theory, Chinese National Academy of Arts, gave their respective speech in the opening ceremony. Dean Su reviewed Raymond Williams’ important position in Marxist history as well as in literary history, especially Williams Leftist stance in the domain of cultural studies that promoted the popular culture of the ordinary people. Director Cheng talked about the changing historical subjects of Marxists in the different historical contexts, and then warned against “the unconscious” embedded in the texts when studying western scholars. Whereas, Director Lu made an introspection of the studies in humanities and social sciences in China and made a positive view about the symposium in Raymond Williams studies as well as Western Marxist studies in China. The symposium comprised five sessions, with each session focusing on different topics, ranging from the discussions on the concept of “community” and “structure of feelings”, to the translation and introduction of Williams’ works in China, and even to the textual analysis of Williams’ fiction. In the closing ceremony, Prof. Xu Delin, on behalf of Center for the Research of Literature and Theory, Chinese Academy of Social Science, expressed deep gratitude to Dean Su Zhongle for hosting such a meaningful and memorable symposium and to the scholars from different parts of China for attending the academic gathering despite the covid-19 pandemic. Prof. Xu further pointed out that the British Marxists since 1970’s were worth our attention and the current China also needed such neo-Marxists like Raymond Williams.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2VWJY0UgRZMT_DCkOX3heJ0FeZHa2RlEJbZQ6stHlY8sNO7DDD7CM0bYSWnQizOIfystJeE03hJhSBE22A1vBI9vtfr0pRyjWKtvc_qn7DXnsn_J2VyFCErLyHLIogahpqDSpXSLGczU/s1024/ChinaGroup.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="1024" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2VWJY0UgRZMT_DCkOX3heJ0FeZHa2RlEJbZQ6stHlY8sNO7DDD7CM0bYSWnQizOIfystJeE03hJhSBE22A1vBI9vtfr0pRyjWKtvc_qn7DXnsn_J2VyFCErLyHLIogahpqDSpXSLGczU/w400-h266/ChinaGroup.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmqThj8Iqffh7qZOgLXMnYMpDTfVVMSQ3abc6O3buzVp91bq-I2tXaA49OQ9NkYk1N4i0QZZnCGviAO1o6o89go5RvHn1aeHBl6EuVLDqYZ1jaGYUcXrl3_YWaXFdrIgUtOZsRV5MHB3w/s862/ChinaSeminar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="647" data-original-width="862" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmqThj8Iqffh7qZOgLXMnYMpDTfVVMSQ3abc6O3buzVp91bq-I2tXaA49OQ9NkYk1N4i0QZZnCGviAO1o6o89go5RvHn1aeHBl6EuVLDqYZ1jaGYUcXrl3_YWaXFdrIgUtOZsRV5MHB3w/w400-h300/ChinaSeminar.jpg" width="400" /></a></div><br /><div><br /></div><p><br /></p>Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-89499518998566860732021-09-27T22:26:00.007+01:002021-09-28T09:49:53.934+01:00Raymond Williams Symposium1<p>Centenary Symposia <a href="https://www.swansea.ac.uk/cy/celfyddydauardyniaethau/ymchwil-y-celfyddydau-ar-dyniaethau/canolfannau-a-grwpiau-ymchwil-celfyddydau-a-dynoliaethau/crew/raymond-williams/cynadleddaur-canmlwyddiant/" target="_blank">https://www.swansea.ac.uk/cy/celfyddydauardyniaethau/ymchwil-y-celfyddydau-ar-dyniaethau/canolfannau-a-grwpiau-ymchwil-celfyddydau-a-dynoliaethau/crew/raymond-williams/cynadleddaur-canmlwyddiant/ </a> <span style="white-space: pre;"> </span></p><p>Symposia’r Canmlwyddiant <a href="https://www.swansea.ac.uk/crew/raymond-williams/the-centenary-symposia/">https://www.swansea.ac.uk/crew/raymond-williams/the-centenary-symposia/</a></p><p><br /></p><h4 style="text-align: left;">Raymond Williams in an Age of Globalisation.<span style="white-space: pre;"> <br /></span>Raymond Williams yng nghyfnod Globaleiddio</h4><p><br /></p><h3 style="text-align: left;">Symposium 1: Raymond Williams in Europe<span style="white-space: pre;"> <br /></span>Symposiwm 1: Raymond Williams yn Ewrop</h3><p><span style="white-space: pre;"> </span></p><p>Wednesday, September 29, 2021 </p><p>Dydd Mercher, Medi 29, 2021</p><p><br /></p><p>Attendee Registration:<br /><a href="https://swanseauniversity.zoom.us/webinar/register/WN_-ucEu3G1Ti2TUZwE88YRug">https://swanseauniversity.zoom.us/webinar/register/WN_-ucEu3G1Ti2TUZwE88YRug</a></p><p>See Website for abstract, speaker bios etc:<br /><a href="https://www.swansea.ac.uk/crew/raymond-williams/">https://www.swansea.ac.uk/crew/raymond-williams/</a></p><p><br /></p><p>10.00 Opening the Centenary Symposia. </p><p>Daniel Williams introduces Merryn Williams (Raymond Williams’s daughter) who will launch the Centenary Symposia. </p><p><br /></p><p><b>10.30 – 11.30</b></p><p><br /></p><p>Phoebe Braithwaite, Harvard University</p><p>Raymond Williams and Stuart Hall </p><p><br /></p><p>Julian Preece, Swansea University </p><p>Raymond Williams and Elias Canetti</p><p><br /></p><p>11.30 – 11.45 Break. </p><p><br /></p><p><b>11.45 - 12.45 </b></p><p>Rhian Jones, Red Pepper Magazine.</p><p>Raymond Williams and the Break-up of Britain</p><p><br /></p><p>Kirsti Bohata, Swansea University </p><p>Williams and Environmentalism</p><p><br /></p><p><b>12.45 – 1.15</b>. Lunch Break</p><p><br /></p><p><b>1.15 – 1.45 </b></p><p>Harald Pittel, University of Potsdam</p><p>Feelings without Structure: A Cultural Materialist View of Populism and Affective Politics.</p><p><br /></p><p><b>1.45 - 2.30 </b> </p><p>From the German New Left to Ethnic Modernism </p><p>Werner Sollors, Harvard University in discussion with Daniel G. Williams </p><p><br /></p><p><b>2.30 Close. </b></p><p><br /></p><p><br /></p><p><b>Evening Event 6 – 7.30</b></p><p><br /></p><h1 style="text-align: left;">A Creative Response to Raymond Williams as Psycho-Geographer</h1><p><br /></p><p>Separate Attendee Registration: <a href="https://swanseauniversity.zoom.us/webinar/register/WN_bF_-iWdZS96o0iereFIQVA" style="font-family: Calibri, sans-serif; font-size: 14.6667px; text-size-adjust: auto;" target="_blank">https://swanseauniversity.zoom.us/webinar/register/WN_bF_-iWdZS96o0iereFIQVA</a></p><p>A Creative Response to Raymond Williams as Psycho-Geographer</p><p><br /></p><p>Creative Evening Event. 6pm. Wednesday. September 29</p><p>Digwyddiad Creadigol. 6pm. Dydd Mercher. Medi 29.</p><p><br /></p><p>In this presentation we consider how place and time were significant to Raymond Williams. In particular, Aled Singleton and Jon Gower pick elements of Border Country to explore how the structure of feeling concept is applied to capture the specificity of everyday life.</p><p>Performance artist Marega Palser gives short responses to a dialogue between Jon and Aled. We hope that the event inspires people to consider walking and site-specific performance as a means for future creative research.</p><p>3-minute film of the collaboration between Aled, Jon and Marega in 2019 <a href="https://vimeo.com/373090583">https://vimeo.com/373090583</a></p><p><br /></p><p><b>Aled Singleton</b> is interested in psychgeography, walking, and using creative ways to explore emotional attachments to place. He has a professional background managing community and urban regeneration projects (2006-18) including community asset transfers, landscape architecture, events, and local economic development. Aled is now starting an ESRC Postdoctoral Research Fellowship in human geography at Swansea University, focusing on the post-war environment: a time of industrial renewal, increased private motor vehicles and semi-detached suburban living. </p><p><br /></p><p><b>Marega Palser</b> is a performance based artist living in Newport, South Wales. She originally studied at the London School of Contemporary Dance, and after graduating in 1985 went on to work with various theatre companies, as well as being a founder member of the dance theatre group Paradox Shuffle who were based in Cardiff. Since 2001 she has worked with Gareth Clark as one half of the performance duo Mr & Mrs Clark.</p><p>She has collaborated with many artists and musicians and has performed and made work for Gallery spaces and for outdoor events both in this country and abroad. In 1994 she went to Japan to study and work with Butoh dancer Tetsuro Fukuhara.</p><p>In 2008 she completed a BA Honours in Fine Art at Howard Gardens (UWIC) in Cardiff, and a year later received a Creative Wales Award to develop her art and performance practice.</p><p><b><br /></b></p><p><b>Jon Gower</b> is a prize-winning author with over thirty books to his name. These include The Story of Wales, which accompanied the landmark BBC TV series and Y Storïwr, which won the Wales Book of the Year. His volume An Island Called Smith, about a disappearing island in Chesapeake Bay was awarded the John Morgan Travel Writing Prize. Recent publications include studies of the radical film-maker Karl Francis and the visual artist John Selway as well as Gwalia Patagonia, being an account of the Welsh settlement in Patagonia and Wales: At Water’s Edge about the country’s coastal path. Jon has also published five novels and five collections of short stories. He was an inaugural Hay Festival International Fellow and has been awarded an Arts Council of Wales Prize, a Creative Wales award and won both The National Eisteddfod Short Story Prize and the Allen Raine Short Story Competition.</p><div><br /></div><div><br /></div><p><br /></p>Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-75533249726467369892021-08-31T01:10:00.001+01:002021-08-31T01:10:08.670+01:00Raymond Williams Centenary Conference: University of Hyderabad<p></p><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;">CREW's Daniel Williams be delivering the 'Closing Plenary' at this international conference held on the Centenary of Raymond Williams's birth. </div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYHGb3SQkLJ1i1HmtQBD982p3dz_Mim0PfhiCQg2GUmdhWkY3au7aQBaJ33q18SqEZ-yBdcbRKDIRqYO_AfpiLKt-EJS30I9wr3iUZD9Qp7p8mA6Iya2vUrCEbDEUdL9weW3xuQLroZo8/s2048/Poster+1.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1366" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYHGb3SQkLJ1i1HmtQBD982p3dz_Mim0PfhiCQg2GUmdhWkY3au7aQBaJ33q18SqEZ-yBdcbRKDIRqYO_AfpiLKt-EJS30I9wr3iUZD9Qp7p8mA6Iya2vUrCEbDEUdL9weW3xuQLroZo8/w266-h400/Poster+1.jpeg" width="266" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG0BMyMIJqAsmtXDZa0bW7jB6qJHiL_m7WV9HiYo9Rqd4ywZvEYT8BsxK6y_G5ojRAb-Rp9Vv-7_1sCd-UMp2fXVwg90LYknh55fqx3huSyz4Xk3vWR2A4MOA_MgY81Hmgbq47nwp6fzA/s2048/Poster2.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1370" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG0BMyMIJqAsmtXDZa0bW7jB6qJHiL_m7WV9HiYo9Rqd4ywZvEYT8BsxK6y_G5ojRAb-Rp9Vv-7_1sCd-UMp2fXVwg90LYknh55fqx3huSyz4Xk3vWR2A4MOA_MgY81Hmgbq47nwp6fzA/w268-h400/Poster2.jpeg" width="268" /></a></div><br /><br /> <p></p>Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-55798479224047974492021-08-25T17:34:00.002+01:002021-08-25T17:34:59.717+01:00Paulo Freire and Raymond Williams at 100 / Conference organised by UNICAMP, Brazil<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLtXqSYb8KleFDwkrrJBuT-31kadzm5dW0RpoF2cvfBrSNYEQbXfCQCSmcIGhQCYH3J4K4sfr79s0G4TUIgnJybz0JMorWC1miR6kZTxqgWDea9apUKhiuSm_5WqdFJbrBm4_wcvi_uOg/s500/Image.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLtXqSYb8KleFDwkrrJBuT-31kadzm5dW0RpoF2cvfBrSNYEQbXfCQCSmcIGhQCYH3J4K4sfr79s0G4TUIgnJybz0JMorWC1miR6kZTxqgWDea9apUKhiuSm_5WqdFJbrBm4_wcvi_uOg/s320/Image.png" width="320" /></a></div><strong style="background-color: white; box-sizing: border-box; color: #c0392b; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; text-align: center;"><div style="text-align: right;"><strong style="box-sizing: border-box;">COLÓQUIO INTERNACIONAL CENTELHAS DE TRANSFORMAÇÕES - PAULO FREIRE & RAYMOND WILLIAMS </strong></div></strong><p></p><div class="views-field views-field-field-calendar-description" style="background-color: white; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px 0px 10px;"><div class="field-content" style="box-sizing: border-box;"><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: right;"><strong style="box-sizing: border-box;">CONFERÊNCIA INTERNACIONAL DE ABERTURA</strong></p><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: right;"><strong style="box-sizing: border-box;">HOMENAGEM DA DIREÇÃO DA FE-UNICAMP A PAULO FREIRE</strong></p><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: right;"><span style="box-sizing: border-box; color: #c0392b;"><strong style="box-sizing: border-box;">PAULO FREIRE AND RAYMOND WILLIAMS CENTENARY - SPARKS OF TRANSFORMATION</strong></span></p><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: center;"><strong style="box-sizing: border-box;"></strong></p><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: center;"></p><div style="text-align: right;"><strong style="box-sizing: border-box;">OPENING INTERNATIONAL CONFERENCE </strong></div><strong style="box-sizing: border-box;"><div style="text-align: right;"><strong style="box-sizing: border-box;">HOMAGE FROM UNICAMP’S FACULTY OF EDUCATION TO PAULO FREIRE</strong></div></strong><p></p><div style="text-align: right;"><strong style="box-sizing: border-box;"><br /></strong></div><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: center;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;"><br /></strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;"><br /><br />CENTENÁRIO PAULO FREIRE</strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Profa. Dra. Luiza Cortesão (Univ. do Porto e Instituto Paulo Freire de Portugal) </p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Profa. Dra. Débora Mazza (FE – Unicamp)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">DIÁLOGOS INTERNACIONAIS - PAULO FREIRE & RAYMOND WILLIAMS</strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">CONFERÊNCIA INTERNACIONAL - CENTENÁRIO RAYMOND WILLIAMS</strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Profa. Dra. Maria Elisa Cevasco (USP)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Prof. Dr. Daniel Williams (Swansea University – País de Gales)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">CONFERÊNCIA INTERNACIONAL - DIÁLOGOS COM PAULO FREIRE & RAYMOND WILLIAMS</strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Prof. Dr. Hywel Dix (Bournemouth University - Londres)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Inscrição gratuita</strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Carga horária</strong>: 8 horas</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Limite: </strong>400 inscrições</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Para ter direito ao certificado de participação, é necessário se inscrever e atestar frequência na lista do evento.</strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><h2 style="box-sizing: border-box; color: inherit; font-family: inherit; font-size: 30px; font-weight: 500; line-height: 1.1; margin-bottom: 10px; margin-top: 20px;"><strong style="box-sizing: border-box;">Programação</strong></h2><p style="box-sizing: border-box; margin: 0px 0px 10px;"><a href="https://youtu.be/atkZLy21h-8" style="background-color: transparent; box-sizing: border-box; color: #337ab7; text-decoration-line: none;"><span style="box-sizing: border-box; color: #c0392b;"><strong style="box-sizing: border-box;">Mesa 1: 9h00 às 11h30 – Conferência Internacional de Abertura - Centenário do Paulo Freire </strong></span></a></p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Homenagem da Direção da Faculdade de Educação - Unicamp<br style="box-sizing: border-box;" />Luiza Cortesão (Universidade do Porto - Portugal)<br style="box-sizing: border-box;" />Débora Mazza (Unicamp)<br style="box-sizing: border-box;" />Mediadora: Nima I. Spigolon (Unicamp)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><a href="https://youtu.be/OojCSwhvGxI" style="background-color: transparent; box-sizing: border-box; color: #337ab7; text-decoration-line: none;"><span style="box-sizing: border-box; color: #c0392b;"><strong style="box-sizing: border-box;">Mesa 2: 12h30 às 15h00 – Conferência Internacional: Centenário de Raymond Williams</strong></span></a></p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Maria Elisa Cevasco (USP - Brasil)<br style="box-sizing: border-box;" />Daniel Williams (Swansea University - País de Gales)<br style="box-sizing: border-box;" />Mediador: Alexandro Henrique Paixão (Unicamp)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><a href="https://youtu.be/mNqxyZW4QlA" style="background-color: transparent; box-sizing: border-box; color: #337ab7; text-decoration-line: none;"><span style="box-sizing: border-box; color: #c0392b;"><strong style="box-sizing: border-box;">Mesa 3: 15h30 às 18h00 – Diálogos com Paulo Freire & Raymond Williams: Brasil e Grã-Bretanha</strong></span></a></p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Hywel Dix (Bournemouth University - Londres)<br style="box-sizing: border-box;" />Mediadores: Alexandro Henrique Paixão (Unicamp), Débora Mazza (Unicamp) e Nima I. Spigolon (Unicamp)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px; text-align: justify;"> </p><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: center;"><span style="box-sizing: border-box; color: #c0392b;"><strong style="box-sizing: border-box;">PAULO FREIRE AND RAYMOND WILLIAMS CENTENARY - SPARKS OF TRANSFORMATION</strong></span></p><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: center;"><strong style="box-sizing: border-box;">OPENING INTERNATIONAL CONFERENCE <br style="box-sizing: border-box;" />HOMAGE FROM UNICAMP’S FACULTY OF EDUCATION TO PAULO FREIRE</strong></p><p class="text-align-center" style="box-sizing: border-box; margin: 0px 0px 10px; text-align: center;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">• PAULO FREIRE CENTENARY</strong><br style="box-sizing: border-box;" />Prof. Luiza Cortesão (University of Porto and Paulo Freire Institute of Portugal)<br style="box-sizing: border-box;" />Prof. Débora Mazza (UNICAMP’s Faculty of Education – Brazil)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">• INTERNATIONAL DIALOGUES - PAULO FREIRE & RAYMOND WILLIAMS</strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">INTERNATIONAL CONFERENCE - RAYMOND WILLIAMS CENTENARY</strong><br style="box-sizing: border-box;" />Prof. Maria Elisa Cevasco (University of São Paulo - Brazil)<br style="box-sizing: border-box;" />Prof. Daniel Williams (Swansea University - Wales)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">INTERNATIONAL CONFERENCE<br style="box-sizing: border-box;" />DIALOGUES WITH PAULO FREIRE & RAYMOND WILLIAMS</strong><br style="box-sizing: border-box;" />Prof. Hywel Dix (Bournemouth University - England)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Date of the event:</strong><br style="box-sizing: border-box;" />August 26, 2021 – 09:00 a.m. - 06 p.m.</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Registration period:</strong><br style="box-sizing: border-box;" />From July 26 – 12 a.m.<br style="box-sizing: border-box;" />To August 25, 2021 - 09:00 a.m.</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Limit:</strong><br style="box-sizing: border-box;" />400 registrations</p><p style="box-sizing: border-box; margin: 0px 0px 10px;">Link for FREE registration: <a href="https://www.sympla.com.br/coloquio-internacional-centelhas-de-transformacoes--paulo-freire-and-raymond-williams-centenary__1246596" style="background-color: transparent; box-sizing: border-box; color: #337ab7; text-decoration-line: none;">https://www.sympla.com.br/coloquio-internacional-centelhas-de-transform…</a>. (Please select "International Participants").</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Duration of the event:</strong> 8 hours</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">To receive a certificate of participation, it is necessary to register and check attendance on the event's list.</strong></p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Objective:</strong><br style="box-sizing: border-box;" />In 2021, Paulo Freire would be 100 years old and to commemorate this decisive event for the current scenario in education, both in and outside of Brazil, UNICAMP’s Faculty of Education will engage the generative word of life, education, criticism and freedom through international journeys about the author, throughout the second semester of 2021, starting with a round table, opening the celebrations in the morning of August 26 th.<br style="box-sizing: border-box;" />In the same year, Raymond Williams, who was also an adult educator, in the UK, would have been 100 years old and, to celebrate this occasion, we will build an international dialogue between Paulo Freire and Raymond Williams, as centennial educators, through another round table on the same day, in the afternoon.</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Target Audience:</strong> Professors; Undergraduate and Postgraduate students; Staff; Community.</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Host: </strong>Direction of UNICAMP’s Faculty of Education</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">Organizing Committee: </strong>Alexandro Henrique Paixão, Débora Mazza, Nima Spigolon.</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><strong style="box-sizing: border-box;">People in Charge:</strong><br style="box-sizing: border-box;" />Prof. Renê José Trentin Silveira (Faculty of Education - Unicamp)<br style="box-sizing: border-box;" />Prof. Alexandro Henrique Paixão (Faculty of Education - Unicamp)</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"> </p><h2 style="box-sizing: border-box; color: inherit; font-family: inherit; font-size: 30px; font-weight: 500; line-height: 1.1; margin-bottom: 10px; margin-top: 20px;"><strong style="box-sizing: border-box;">Schedule</strong></h2><p style="box-sizing: border-box; margin: 0px 0px 10px;"><a href="https://youtu.be/yJZNjURlPG0" style="background-color: transparent; box-sizing: border-box; color: #337ab7; text-decoration-line: none;"><span style="box-sizing: border-box; color: #c0392b;"><strong style="box-sizing: border-box;">Round Table #1: Opening International Conference - Paulo Freire's Centenary<br style="box-sizing: border-box;" />09:00 a.m. - 11:30 a.m.</strong></span></a></p><p style="box-sizing: border-box; margin: 0px 0px 10px;">- Homage from the Direction of UNICAMP’s Faculty of Education<br style="box-sizing: border-box;" />- Luiza Cortesão (University of Porto - Portugal)<br style="box-sizing: border-box;" />- Débora Mazza (UNICAMP - Brazil)<br style="box-sizing: border-box;" />Mediator: Nima I. Spigolon</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><a href="https://youtu.be/ZejbYy93VeQ" style="background-color: transparent; box-sizing: border-box; color: #337ab7; text-decoration-line: none;"><span style="box-sizing: border-box; color: #c0392b;"><strong style="box-sizing: border-box;">Round table #2: International Conference: Raymond Williams' Centenary<br style="box-sizing: border-box;" />12:30 p.m – 03:00 p.m.</strong></span></a></p><p style="box-sizing: border-box; margin: 0px 0px 10px;">- Maria Elisa Cevasco (USP - Brazil)<br style="box-sizing: border-box;" />- Daniel Williams (Swansea University - Wales)<br style="box-sizing: border-box;" />Mediator: Alexandro Henrique Paixão</p><p style="box-sizing: border-box; margin: 0px 0px 10px;"><a href="https://youtu.be/H-qZRpZiiVA" style="background-color: transparent; box-sizing: border-box; color: #337ab7; text-decoration-line: none;"><span style="box-sizing: border-box; color: #c0392b;"><strong style="box-sizing: border-box;">Round table #3: Dialogues with Paulo Freire & Raymond Williams: Brazil and Great Britain<br style="box-sizing: border-box;" />03:30 p.m. – 06:00 p.m.</strong></span></a><br style="box-sizing: border-box;" />- Hywel Dix (Bournemouth University – England)<br style="box-sizing: border-box;" />Mediators: Alexandro Henrique Paixão, Débora Mazza and Nima I. Spigolon</p><p style="box-sizing: border-box; margin: 0px;"> </p></div></div><div class="views-field views-field-field-calendar-realization" style="background-color: white; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px 0px 10px;"><span class="views-label views-label-field-calendar-realization" style="box-sizing: border-box; font-weight: bold; margin: 0px 0px 0px 5px;">Realização:</span><div class="field-content" style="box-sizing: border-box;"><ul style="box-sizing: border-box; margin-bottom: 10px; margin-top: 0px; padding-left: 1.5em;"><li style="box-sizing: border-box;">Direção da Faculdade de Educação/Unicamp</li></ul></div></div><div class="views-field views-field-field-calendar-support" style="background-color: white; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px 0px 10px;"><span class="views-label views-label-field-calendar-support" style="box-sizing: border-box; font-weight: bold; margin: 0px 0px 0px 5px;">Apoio:</span><div class="field-content" style="box-sizing: border-box;"><ul style="box-sizing: border-box; margin-bottom: 10px; margin-top: 0px; padding-left: 1.5em;"><li style="box-sizing: border-box;">Instituto Dialética</li></ul></div></div><div class="views-field views-field-field-calendar-comission" style="background-color: white; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px 0px 10px;"><span class="views-label views-label-field-calendar-comission" style="box-sizing: border-box; font-weight: bold; margin: 0px 0px 0px 5px;">Comissão organizadora:</span><div class="field-content" style="box-sizing: border-box;"><ul style="box-sizing: border-box; margin-bottom: 10px; margin-top: 0px; padding-left: 1.5em;"><li style="box-sizing: border-box;">Alexandro Henrique Paixão (Unicamp)</li><li style="box-sizing: border-box;">Débora Mazza (Unicamp)</li><li style="box-sizing: border-box;">Nima Spigolon (Unicamp)</li></ul></div></div><div class="views-field views-field-field-calendar-responsible" style="background-color: white; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px 0px 10px;"><span class="views-label views-label-field-calendar-responsible" style="box-sizing: border-box; font-weight: bold; margin: 0px 0px 0px 5px;">Responsável:</span><div class="field-content" style="box-sizing: border-box;"><ul style="box-sizing: border-box; margin-bottom: 10px; margin-top: 0px; padding-left: 1.5em;"><li style="box-sizing: border-box;">Prof. Dr. Renê José Trentin Silveira (FE/Unicamp)</li><li style="box-sizing: border-box;">Prof. Dr. Alexandro Henrique Paixão (FE/Unicamp)</li></ul></div></div>Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-8379582861147168252019-05-16T15:16:00.001+01:002019-05-16T15:25:02.983+01:00Emyr Humphreys Centenary at CREW, Swansea University<div style="text-align: justify;">
<span style="font-size: large;">Here are some highlights and pictures from the Emyr Humphreys Centenary symposium and public lecture organised by CREW at Swansea on 13 April 2019.</span></div>
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<span style="font-size: large;">We were very lucky to have photographer Bernard Mitchell in attendance and most of the pictures here are taken by him. </span></div>
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<span style="font-size: large;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9UZnUR8vCrzgidNr2DlN_RjVBSVx56XKZ0XynpKWKuiWHkSh7_0-XUouv3Uc7hNQLY_QASuu92rhEx5FDl-QHNGtw6OA81_PZYPrljOtdXHgOO0HRD3UuICm-Z1DQAqo7L-tfxZWNDOC7/s1600/aud+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9UZnUR8vCrzgidNr2DlN_RjVBSVx56XKZ0XynpKWKuiWHkSh7_0-XUouv3Uc7hNQLY_QASuu92rhEx5FDl-QHNGtw6OA81_PZYPrljOtdXHgOO0HRD3UuICm-Z1DQAqo7L-tfxZWNDOC7/s320/aud+3.jpg" width="320" /></a></div>
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<span style="font-size: large;"> Twitter <span style="color: blue;">#EmyrHumphreys100</span> captured a </span><span style="font-size: large;">flavour of the discussions of Humphreys' literary legacy and his place in ongoing academic debate, a few of which are embedded here.</span></div>
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<span style="font-size: large;">The Deputy Minister for Culture, Lord Dafydd Elis-Thomas, opened the day with personal reflections on the national and international significance of Emyr Humphreys.</span></div>
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.<a href="https://twitter.com/wgdep_culture?ref_src=twsrc%5Etfw">@wgdep_culture</a> reflects on the influence of Emyr Humphreys on his own cultural development. <br />
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Humphreys was producer of the Y Ddrama yn Ewrop radio series, which led to the translations of Beckett that <a href="https://twitter.com/Rhianeddjewell?ref_src=twsrc%5Etfw">@Rhianeddjewell</a> considered in our lecture earlier this week!<a href="https://twitter.com/CREWswanuni?ref_src=twsrc%5Etfw">@CREWswanuni</a> <a href="https://t.co/cCYOsCsePt">pic.twitter.com/cCYOsCsePt</a></div>
— The Learned Society of Wales (@LSWalesCDdCymru) <a href="https://twitter.com/LSWalesCDdCymru/status/1116993878811389952?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<span style="font-size: large;">Meanwhile some on Twitter were more interested in the stylish socks.</span></div>
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Personal reflections on the importance of Emyr Humphreys by the Minister for Culture <a href="https://twitter.com/SwanseaUni?ref_src=twsrc%5Etfw">@SwanseaUni</a> <a href="https://t.co/GEpPTQo7AI">pic.twitter.com/GEpPTQo7AI</a></div>
— CREW Swansea Uni (@CREWswanuni) <a href="https://twitter.com/CREWswanuni/status/1116994440223232000?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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M. Wynn Thomas delivers a powerful and moving paper on the ‘nonconformist consciousness’ of <a href="https://twitter.com/hashtag/EmyrHumphreys?src=hash&ref_src=twsrc%5Etfw">#EmyrHumphreys</a> and <a href="https://twitter.com/hashtag/MarilynRobinson?src=hash&ref_src=twsrc%5Etfw">#MarilynRobinson</a>. <a href="https://twitter.com/hashtag/Gilead?src=hash&ref_src=twsrc%5Etfw">#Gilead</a> and <a href="https://twitter.com/hashtag/OutsideTheHouseOfBaal?src=hash&ref_src=twsrc%5Etfw">#OutsideTheHouseOfBaal</a> <a href="https://twitter.com/hashtag/Emyr100?src=hash&ref_src=twsrc%5Etfw">#Emyr100</a> <a href="https://t.co/JRRaiYYunH">pic.twitter.com/JRRaiYYunH</a></div>
— Daniel G. Williams (@DanielGwydion) <a href="https://twitter.com/DanielGwydion/status/1117004180231741441?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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Three greats on one stage. <a href="https://twitter.com/hashtag/EmyrHumphreys?src=hash&ref_src=twsrc%5Etfw">#EmyrHumphreys</a> <a href="https://twitter.com/CREWswanuni?ref_src=twsrc%5Etfw">@CREWswanuni</a> <a href="https://t.co/M5vsWVMGwU">pic.twitter.com/M5vsWVMGwU</a></div>
— Michelle J Deininger (@dr_deininger) <a href="https://twitter.com/dr_deininger/status/1116998487491710976?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<a href="https://twitter.com/dr_deininger?ref_src=twsrc%5Etfw">@dr_deininger</a> on Emyr Humphreys’ “eco feminism”, environmentalism and the short story <a href="https://t.co/X62wPiMhEA">pic.twitter.com/X62wPiMhEA</a></div>
— CREW Swansea Uni (@CREWswanuni) <a href="https://twitter.com/CREWswanuni/status/1117027834017517568?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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Humphreys as critic of the civic. His Non-conformity not messianic universalism, much closer to the Jewish particularism of the early church as explored by W. D. Davies. The Welsh-Jewish analogy explored by <a href="https://twitter.com/JasmineDonahaye?ref_src=twsrc%5Etfw">@JasmineDonahaye</a> characteristic of Humphreys’ fiction. 3 prophets look on <a href="https://t.co/kofgVs8063">pic.twitter.com/kofgVs8063</a></div>
— Daniel G. Williams (@DanielGwydion) <a href="https://twitter.com/DanielGwydion/status/1117081277612601345?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<a href="https://twitter.com/andywebbtweets?ref_src=twsrc%5Etfw">@andywebbtweets</a> a <a href="https://twitter.com/ej_shepley?ref_src=twsrc%5Etfw">@ej_shepley</a> yn trafod storiau byrion y 2000au. Storiau hwyr Humphreys yn trin themau cyson ei waith, ond o safbwynt henaint. Ewrop yn fygythiad ac yn ffynhonnell gobaith yn ôl Webb. <a href="https://twitter.com/hashtag/EmyrHumphreys100?src=hash&ref_src=twsrc%5Etfw">#EmyrHumphreys100</a> <a href="https://t.co/vnVXJQthLz">pic.twitter.com/vnVXJQthLz</a></div>
— Daniel G. Williams (@DanielGwydion) <a href="https://twitter.com/DanielGwydion/status/1117082100925124608?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<a href="https://twitter.com/ej_shepley?ref_src=twsrc%5Etfw">@ej_shepley</a> on the gendering of old age, Emyr Humphreys and “Reifungsroman” (novel of ripening) and EH’s late style. <a href="https://twitter.com/hashtag/EmyrHumphreys100?src=hash&ref_src=twsrc%5Etfw">#EmyrHumphreys100</a> <a href="https://t.co/sr14iibfHR">pic.twitter.com/sr14iibfHR</a></div>
— CREW Swansea Uni (@CREWswanuni) <a href="https://twitter.com/CREWswanuni/status/1117058829995446272?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<span style="font-size: large;">We managed to over-run a little what with me getting carried away with parallels between Tristan Hughes' Revenant and Emyr Humphreys' Toy Epic and a heated debate amongst the audience about whether Humphreys' writing can be described as Faulknerian. Faulkner was certainly important to the development of both Humphreys and Hughes.</span></div>
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<a href="https://twitter.com/tristankhughes?ref_src=twsrc%5Etfw">@tristankhughes</a> closes the conference <a href="https://twitter.com/CREWswanuni?ref_src=twsrc%5Etfw">@CREWswanuni</a> <a href="https://twitter.com/SU_EngLit_CW?ref_src=twsrc%5Etfw">@SU_EngLit_CW</a> in conversation with organiser <a href="https://twitter.com/kbohata?ref_src=twsrc%5Etfw">@kbohata</a> . A novelist of Ynys Môn, never told about Humphreys. Revalation of discovering the work later in life. Faulknerian resonances of Welsh place. <a href="https://twitter.com/hashtag/EmyrHumphreys100?src=hash&ref_src=twsrc%5Etfw">#EmyrHumphreys100</a> <a href="https://t.co/p73Gbx13gJ">pic.twitter.com/p73Gbx13gJ</a></div>
— Daniel G. Williams (@DanielGwydion) <a href="https://twitter.com/DanielGwydion/status/1117083658828034048?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<span style="font-size: large;">And to finish the day we decamped to Cinema & Co, for a moving talk by Candida Clark. There was indeed wine - and futons!</span></div>
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We're in a cinema for the public lecture rounding off today's symposium. It has FUTONS! AND WINE! WOOHOO! <a href="https://twitter.com/hashtag/EmyrHumphreys100?src=hash&ref_src=twsrc%5Etfw">#EmyrHumphreys100</a> <a href="https://twitter.com/kbohata?ref_src=twsrc%5Etfw">@kbohata</a> <a href="https://twitter.com/CREWswanuni?ref_src=twsrc%5Etfw">@CREWswanuni</a> <a href="https://t.co/EUq9TccY3w">pic.twitter.com/EUq9TccY3w</a></div>
— Michelle J Deininger (@dr_deininger) <a href="https://twitter.com/dr_deininger/status/1117120188074332160?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<a href="https://twitter.com/hashtag/CandidaClark?src=hash&ref_src=twsrc%5Etfw">#CandidaClark</a> is doing a wonderful talk & being honest about talking about someone as accomplished as EH <a href="https://twitter.com/hashtag/EmyrHumphreys100?src=hash&ref_src=twsrc%5Etfw">#EmyrHumphreys100</a> <a href="https://t.co/H2fuYOwGEs">pic.twitter.com/H2fuYOwGEs</a></div>
— Michelle J Deininger (@dr_deininger) <a href="https://twitter.com/dr_deininger/status/1117123623029039104?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<a href="https://twitter.com/hashtag/EmyrHumphreys100?src=hash&ref_src=twsrc%5Etfw">#EmyrHumphreys100</a> ends at the great Cinema and Co, Swansea. Candida Clark yn traddodi darlith Emyr Humphreys / delivers the Emyr Humphreys lecture. Recalls EH at 99 quoting Dante - in the original! <br />
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Llongyfarchiadau Prof <a href="https://twitter.com/kbohata?ref_src=twsrc%5Etfw">@kbohata</a> on a great day! <a href="https://t.co/T2q5RoFGZ7">pic.twitter.com/T2q5RoFGZ7</a></div>
— Daniel G. Williams (@DanielGwydion) <a href="https://twitter.com/DanielGwydion/status/1117121643741052928?ref_src=twsrc%5Etfw">13 April 2019</a></blockquote>
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<span style="font-size: large;">We are very grateful to UWP who created a stupendous display of their Humphreys titles, coped with running upstairs to get a signal their card reader and still managed to sell loads of books.</span></div>
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We’re all ready to go at the Emyr Humphreys Centenary Symposium. Make the most of our discounted titles today! <a href="https://t.co/lKJRqW6jap">pic.twitter.com/lKJRqW6jap</a></div>
— Uni of Wales Press (@UniWalesPress) <a href="https://twitter.com/UniWalesPress/status/1117000339851501569?ref_src=twsrc%5Etfw">April 13, 2019</a></blockquote>
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Kirsti Bohatahttp://www.blogger.com/profile/04929112925108258527noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-83727243032845238682019-04-01T21:54:00.000+01:002019-04-10T10:09:38.062+01:00Abstracts: Bonds of Attachment: Emyr Humphreys at 100<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe9er3PROyEz7-D1GUQ8R6xRKe7rC2b49An6uOyMTsj_HSHhVJDmoGeodXRO25PRFQvh2JsUwmoJFYK5zn9RhbMMl5JPW9C17nNBMwme_VrHKxR51r5fOKTIRZiCfv5-7hoBdMM_5aOibr/s1600/wynn+pic.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="227" data-original-width="222" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe9er3PROyEz7-D1GUQ8R6xRKe7rC2b49An6uOyMTsj_HSHhVJDmoGeodXRO25PRFQvh2JsUwmoJFYK5zn9RhbMMl5JPW9C17nNBMwme_VrHKxR51r5fOKTIRZiCfv5-7hoBdMM_5aOibr/s200/wynn+pic.png" width="195" /></a></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><span style="background-color: transparent; color: black; display: inline; float: none; font-family: "calibri" , sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 700; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Professor M. Wynn Thomas</span></span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><b>'Soul-searches: Marilynne
Robinson's <i style="mso-bidi-font-style: normal;">Gilead</i> and Emyr
Humphreys's <i style="mso-bidi-font-style: normal;">Outside the House of Baal</i>.' </b>(</span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">The Saunders Lewis Memorial Lecture)</span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Abstract</u>:<span style="font-family: "times new roman";"> </span></span><span style="font-family: "calibri" , sans-serif; margin: 0px;">Marilynne
Robinson is one of the most eminent novelists of contemporary America, and was
honoured by President Obama with an invitation during his term in office to
conduct a public conversation with him at the White House. Her key fiction has
been firmly underpinned by her strong moral principles and religious faith, and
in this respect it invites comparison with the resonant fiction of Emyr
Humphreys. </span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Biography</u>: </span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">M. Wynn Thomas FBA FLSW OBE is </span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Professor of English and holder of the
Emyr Humphreys Chair of Welsh Writing in English at Swansea University. He is
the author of over twenty books and his most recent book is a new study of <i style="mso-bidi-font-style: normal;">Emyr Humphreys </i>(2018). </span><span style="color: #212121; font-family: "calibri" , sans-serif; margin: 0px;">The
record of his thirty-year close friendship with Emyr Humphreys will be
preserved in the Emyr Humphreys Archive at Swansea University being formally
launched at this symposium.</span></div>
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<span style="color: #212121; font-family: "calibri" , sans-serif; margin: 0px;"><span style="font-family: "calibri" , sans-serif; margin: 0px;"><span style="color: black;"><span style="background-color: transparent; color: black; display: inline; float: none; font-family: "calibri" , sans-serif; font-size: 16px; font-style: normal; font-variant: normal; letter-spacing: normal; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><b>Dr Michelle Deininger </b></span></span></span></span></div>
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<span style="color: #212121; font-family: "calibri" , sans-serif; margin: 0px;"><span style="font-family: "calibri" , sans-serif; margin: 0px;"><span style="color: black;"><b>Emyr
Humphreys’ Short Fictions: Landscapes, Communities, Contexts</b></span></span></span></div>
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<span style="color: #212121; font-family: "calibri" , sans-serif; margin: 0px;"><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Abstract:</u> <span style="font-family: "calibri" , sans-serif; font-size: 11pt; margin: 0px;">Emyr Humpreys’ short
fictions span his entire career, from <i>Natives</i> (1968) to <i>The Woman at
the Window </i>(2009). As Linden Peach notes in <i>The Fiction of Emyr
Humphreys</i> (2011), stories in <i>Natives</i> explore ‘changes which are
taking place at a local, community level [that] are analogous to larger
dilemmas within Wales in the middle of the twentieth century’. This paper will
examine the ways in which communities, and the landscapes they reside in, are
constructed in Humphreys’ fictions, exploring changes and continuities between
the earlier stories and those published more recently. It will pay particular
attention to the way industrial landscapes are depicted, from motorway link
roads to ‘desolate docklands’ and how these kinds of images speak to wider
environmental concerns. Finally, this paper will make connections with other
Welsh short story writers who critique industrialisation and its impact on
communities and environments, such as Elizabeth Baines, contextualising
Humpreys’ work in a wider tradition of short story writing and its potential
for political and cultural change.</span></span></span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Biography</u>: </span><span style="font-family: "calibri" , sans-serif; margin: 0px;"><span style="color: black;">Dr
Michelle Deininger is Co-ordinating Lecturer in Humanities in the division of
Continuing and Professional Education at Cardiff University. She manages the
broader adult education humanities provision as well as co-ordinating several
open access Pathways to a Degree programmes in English, Creative Writing,
Philosophy and Media. She is currently co-writing a book with Dr Claire
Flay-Petty (Bridgend College) entitled <i>Scholarship and Sisterhood: Women,
Writing and Higher Education</i> for UWP.</span></span></div>
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<b><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Professor Daniel G Williams</span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"> </span></b></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><b><span style="margin: 0px;"> </span>What’s Wrong with Ancestor Worship? Emyr
Humphreys in the 1970s</b></span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Abstract</u>: </span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">The 1970s in Wales witnessed
successful strikes by miners in 1972 and 1974, and considerable vitality in
Welsh language culture as manifested in politics and in popular music. Yet much
of the decade’s writing dwells on themes of loss, despair and melancholia. The
fact that a remarkably vibrant decade in politics, sport and culture gives rise
to a literature of nostalgia, loss and grief needs explaining. Was the debacle
of the 1979 referendum foreseen in the decade’s novels? This is a question that
I will try to address with reference to Emyr Humphreys’ writings. </span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Biography</u>: </span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Daniel G. Williams is Professor of
English and Director of the Richard Burton Centre for the Study of Wales at
Swansea University. His latest book is <i style="mso-bidi-font-style: normal;">Wales
Unchained: Literature. Politics and Identity in the American Century</i>
(2015).</span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><b>Dr Elinor Shepley</b></span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><b>‘There was always an
unspecified goal. It has turned out to be old age’: Ageing in Emyr Humphreys’s
novels and short stories</b></span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Abstract</u>: </span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Emyr Humphreys has attended to experiences of
and attitudes towards ageing in his writing for much of his literary career.
One might read the proliferation of older characters to be found in Humphreys’s
<i style="mso-bidi-font-style: normal;">oeuvre</i> as reflecting the demographic
shifts at play in our society since the early twentieth century. Critics have
also argued that literary texts are particularly appropriate for rendering the
complexities of aged experience and Humphreys’s ability to reveal human
frailties and failings with a combination of cutting insight, humour and
benevolence is certainly suited to exploring the intricacies of growing older.
Studies of novels and short stories about ageing often reveal a concern with
the trajectories of older protagonists’ lives. Traditional conceptions of later
life characterised by degeneration and loss have been designated ‘decline
narratives’ and are usually viewed as problematic due to their involvement in
the propagation of ageist attitudes and limiting expectations of later life.
Critics have also explored intersections between age and gender and the concept
of ‘late style’ – described by Edward Said as ‘a sort of deliberately
unproductive productiveness’ – has been applied to the late works of a number
of creative writers. This paper will consider a selection of Humphreys’s
fictional works with reference to recent critical perspectives on age and ageing
in literature.</span></div>
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<span lang="EN-US" style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Biography</u>: </span><span lang="EN-US" style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Elinor Shepley
recently completed a PhD at Cardiff University. Her thesis examines the
representation of ageing in modern and contemporary Welsh fiction in English.
Elinor wrote her Masters dissertation on old age in Emyr Humphreys’s fiction, a
section of which was published in <i>Almanac: The Yearbook of Welsh Writing in
English</i>. She currently works for the Institute of Welsh Affairs.</span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><b>Dr Andy Webb</b></span></div>
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<span style="font-family: "calibri" , sans-serif; margin: 0px;"><span style="color: black;"><b>Twenty-First Century Humphreys</b></span></span><span style="font-family: "calibri" , sans-serif; margin: 0px;"></span></div>
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Abstract</u>: <span style="font-family: "Century Gothic",sans-serif; font-size: 10pt; line-height: 110%; margin: 0px;">This
paper explores Humphreys most recent publications and the representation of
Wales in Europe. </span></span></div>
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Biography</u>: </span><span style="font-family: "calibri" , sans-serif; margin: 0px;"><span style="color: black;">Andy Webb is a Senior Lecturer in English Literature at Bangor
University and the author of <em><span style="font-family: "calibri" , sans-serif; margin: 0px;">Edward Thomas and World Literary Studies</span></em> </span></span><span style="font-family: "calibri" , sans-serif; margin: 0px;"></span><br />
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<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><b>Dr Tristan Hughes</b></span></div>
<div style="margin: 16px 0px 0px; text-align: center;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><b>In conversation</b></span></div>
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Abstract</u>: Hughes explores the contours of his own and Emyr Humphreys' writing in conversation with Kirsti Bohata.</span></div>
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><u>Biography</u>: </span><span style="color: #333333; font-family: "calibri" , sans-serif; margin: 0px;">Tristan Hughes was born in Atikokan in northern Ontario and
brought up on the Welsh island of Anglesey. He is the author of four
novels, <i>Send My Cold Bones Home</i>, <i>Revenant</i>, <i>Eye Lake</i> and <i>Hummingbird</i>
- which won the Edward Stanford Award for Fiction with a Sense of Place and the
Wales Book of the Year People's Choice Prize - as well as a collection of
linked short stories, <i>The Tower</i>. His short fiction has appeared in
various journals, including <i>Ploughshares</i>, <i>The Southern Review</i>,
and <i>New Welsh Review</i>. He is a winner of the Rhys Davies short
story prize and the recipient of an O. Henry Award. He currently teaches
creative writing at Cardiff University.</span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"></span></div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><span style="color: black;"></span><span style="font-family: "times new roman";"></span><b></b><i></i><u></u><sub></sub><sup></sup><strike></strike></div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>Kirsti Bohatahttp://www.blogger.com/profile/04929112925108258527noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-60482072661678705842019-04-01T21:23:00.003+01:002019-04-08T14:24:38.278+01:00Programme: Emyr Humphreys Centenary Symposium<br />
<div align="center" style="margin: 16px 0px 0px; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">BONDS OF ATTACHMENT: EMYR
HUMPHREYS AT 100</span></b></div>
<br />
<div align="center" style="margin: 16px 0px 0px; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">PROGRAMME</span></b></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">SYMPOSIUM</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">9.30-10.00 Registration (Tea
and Coffee available)</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">10.00 Welcome</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">10.20-11.20 SAUNDERS LEWIS
MEMORIAL LECTURE</span></div>
<br />
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"> M. Wynn Thomas, 'Soul-searches:
Marilynne Robinson's <i style="mso-bidi-font-style: normal;">Gilead</i> and Emyr
Humphreys's <i style="mso-bidi-font-style: normal;">Outside the House of Baal</i>.'
</span><br />
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">11.20-11.40 Launch of the Emyr
Humphreys Archive and Book Launch</span><br />
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"><br /></span></div>
<span style="-webkit-text-stroke-width: 0px; background-color: transparent; color: black; display: inline !important; float: none; font-family: "calibri" , sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">11.40-12.00</span><span style="-webkit-text-stroke-width: 0px; background-color: transparent; color: black; font-family: "calibri" , sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"> </span><span style="-webkit-text-stroke-width: 0px; background-color: transparent; color: black; display: inline !important; float: none; font-family: "calibri" , sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Coffee / Tea </span><b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">12-1.15 PANEL 1</span></div>
<br />
<div style="margin: 16px 0px 0px 48px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Michelle Deininger, ‘</span><span style="font-family: "calibri" , sans-serif; margin: 0px;">Emyr
Humphreys’ Short Fictions: Landscapes, Communities, Contexts</span></div>
<br />
<div style="margin: 16px 0px 0px 48px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Daniel G Williams, ‘</span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">What’s Wrong with Ancestor Worship? Emyr Humphreys in the
1970s’</span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"></span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">1.15-2.00 BUFFET LUNCH</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">2.00 -3.15 – PANEL 2</span></div>
<br />
<div style="margin: 16px 0px 0px 48px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Elinor Shepley, ‘There was always an
unspecified goal. It has turned out to be old age’: Ageing in Emyr Humphreys’s
novels and short stories</span></div>
<br />
<div style="margin: 16px 0px 0px 48px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Andy Webb, ‘</span><span style="font-family: "calibri" , sans-serif; margin: 0px;">Twenty-First
Century Humphreys’</span><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;"></span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">3.15-3.45 Tea / Coffee</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">3.45-4.30 – SESSION 4</span></div>
<br />
<div style="margin: 16px 0px 0px 48px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Tristan Hughes in
conversation with Kirsti Bohata</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">4.30PM CLOSE <span style="margin: 0px;"> </span>- <span style="margin: 0px;"> </span>MAKE
WAY TO HIGH STREET FOR RECEPTION AND LECTURE AT 6PM</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<br /></div>
<div style="margin: 16px 0px 0px;">
<a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">PUBLIC LECTURE (at Cinema
and Co)</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">6.00pm Reception</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">6.30pm</span></div>
<br />
<div style="margin: 16px 0px 0px 48px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Candida Clark, </span><span style="color: #212121; font-family: "calibri" , sans-serif; margin: 0px;">‘<i style="mso-bidi-font-style: normal;">A world woven by his
voice</i>’; Myth-maker, story-teller, formal innovator and bard: tracing the
unique songline of Emyr Humphreys at 100.</span></div>
<br />
<div style="margin: 16px 0px 0px;">
<br /></div>
<div style="margin: 16px 0px 0px;">
<b style="mso-bidi-font-weight: normal;"><span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">Acknowledgements:</span></b></div>
<br />
<div style="margin: 16px 0px 0px;">
<span style="color: black; font-family: "calibri" , sans-serif; margin: 0px;">CREW wishes to thank the
following for their generous financial support: the Learned Society for Wales, the
Saunders Lewis Memorial Frust, Swansea University, including the College of
Arts and Humanities Research Environment Fund.<span style="margin: 0px;">
</span>We are also grateful for the postgraduate travel bursaries offered by our
partners, the Association for Welsh Writing in English.<span style="margin: 0px;"> </span>Thanks to the Welsh Books Council, the
University of Wales Press and Seren Books for the array of books – new and
reissued – by and about Emyr Humphreys and the associated publicity material.<span style="margin: 0px;"> </span>We are grateful to Bernard Mitchell for
permission to use his photograph of Emyr Humphreys and to the Richard Burton
Archives at Swansea University for their help in planning and organising
elements of this event, not least the creation of the new Emyr Humphreys
Archive at Swansea University.<span style="margin: 0px;"> </span>We are
enormously grateful to the Cultural Institute at Swansea University for organising
the Public Lecture and to Elaine Canning and Helen Baldwin for sound advice and
generous support throughout. </span></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike>Kirsti Bohatahttp://www.blogger.com/profile/04929112925108258527noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-43366646055781098752019-04-01T21:01:00.001+01:002019-04-01T21:21:59.055+01:00<br />
<br />
<div align="center" style="line-height: 115%; margin: 0px; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18pt; line-height: 115%; margin: 0px;"><span style="color: #052f61; font-family: "century gothic";">BONDS OF ATTACHMENT: EMYR HUMPHREYS
AT 100</span></span></b></div>
<br />
<div align="center" style="line-height: 115%; margin: 0px; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18pt; line-height: 115%; margin: 0px;"><span style="color: #052f61; font-family: "century gothic";">CENTENARY SYMPOSIUM AND PUBLIC
LECTURE</span></span></b></div>
<br />
<div align="center" style="line-height: 115%; margin: 0px; text-align: center;">
<span style="font-size: 20pt; line-height: 115%; margin: 0px;"><span style="color: #052f61; font-family: "century gothic";">Saturday
13 April 2019 </span></span></div>
<br />
<div style="margin: 0px 0px 8px 56.73px;">
<br /></div>
<span style="font-family: "century gothic";"><b style="mso-bidi-font-weight: normal;">Symposium</b>:
10.00-4.30 at Taliesin Create, Swansea University, Singleton Park, SA2 8PP</span><br />
<span style="font-family: "century gothic";"><br /></span>
<span style="font-family: "century gothic";"><b style="mso-bidi-font-weight: normal;">Lecture
and Reception</b>: 6.00-7.45 at Cinema & Co, <span style="margin: 0px;"><span style="color: #222222; font-size: 10pt; line-height: 110%; margin: 0px;">17
Castle St, Swansea SA1 1JF</span></span></span><br />
<div>
<span style="font-family: "century gothic";"><span style="margin: 0px;"><span style="color: #222222; font-size: 10pt; line-height: 110%; margin: 0px;"><br /></span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_Js20y71YaQdjDLeogZlzjYQnONeHLhu1TcrgPELUWpkczBBPLPKazRhFT-zMxQy0fWZxZR5WhpV2BS3HuzktxKWdJJElfj2mM14xePqjwGHWvvAxDp9POP7wtAGyJZvTGL_v2j_nwZ_e/s1600/compressedhumphrey_001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="717" data-original-width="720" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_Js20y71YaQdjDLeogZlzjYQnONeHLhu1TcrgPELUWpkczBBPLPKazRhFT-zMxQy0fWZxZR5WhpV2BS3HuzktxKWdJJElfj2mM14xePqjwGHWvvAxDp9POP7wtAGyJZvTGL_v2j_nwZ_e/s200/compressedhumphrey_001.jpg" width="200" /></a><span style="color: black; margin: 0px;"><span style="margin: 0px;"><span style="font-family: "century gothic"; font-size: x-small;"> </span></span></span><span style="color: black; font-size: 8pt; line-height: 110%; margin: 0px;">© Bernard Mitchell</span></div>
<span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;">In
April 2019, Emyr Humphreys will celebrate his hundredth birthday. He is the
pre-eminent novelist of anglophone Wales, a major cultural figure who has
operated on several different fronts, and a principled ethical activist. He has
enjoyed a career that began when he was talent-spotted and mentored by Graham
Greene, continued during the fifties through a creative friendship with
Saunders Lewis and pioneering radio and television productions featuring the
young Richard Burton, Peter O’Toole and Sian Phillips, diversified further from
the early eighties onwards with his seminal contributions of plays and
documentaries for the new Welsh-language channel S4C, and culminated with his
remarkable late achievements in poetry and in fiction. His has therefore been a
unique achievement, one without parallel in the long history of Welsh.</span><span style="font-family: "cambria" , serif; font-size: 16pt; line-height: 110%; margin: 0px;"></span><br />
<span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;">This one-day symposium and
evening lecture assess and celebrate the literary and cultural legacy of
Humphreys.<span style="margin: 0px;"> </span><b style="mso-bidi-font-weight: normal;">All welcome.<span style="margin: 0px;"> </span></b></span><br />
<span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;"><br /></span>
<span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;">Both symposium and public
lecture are <b>free</b>, but please <b>register via Eventbrite</b>.<span style="margin: 0px;"> </span></span><br />
<span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;"><br /></span>
<span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;">SYMPOSIUM: <span style="margin: 0px;"><a href="https://www.eventbrite.com/e/bonds-of-attachment-emyr-humphreys-at-100-a-centenary-symposium-tickets-58290106277"><span style="color: blue;">https://www.eventbrite.com/e/bonds-of-attachment-emyr-humphreys-at-100-a-centenary-symposium-tickets-58290106277</span></a></span>
</span><br />
<a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><br />
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<span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;">LECTURE: <span style="margin: 0px;"><a href="https://www.eventbrite.com/e/a-world-woven-by-his-voice-emyr-humphreys-at-100-lecture-by-candida-clark-tickets-58111515106"><span style="color: blue;">https://www.eventbrite.com/e/a-world-woven-by-his-voice-emyr-humphreys-at-100-lecture-by-candida-clark-tickets-58111515106</span></a></span></span></div>
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<div style="background: rgb(217, 217, 217); border-image: none; border: medium; margin: 16px 0px 8px; padding: 0cm; text-align: center;">
<a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;">A
limited number of postgraduate / non-affiliated ECR<b style="mso-bidi-font-weight: normal;"> travel bursaries</b> are available from AWWE. To apply, please email <span style="margin: 0px;"><a href="https://www.blogger.com/null"><u><span style="color: blue;">treasurer@awwe.org</span></u></a></span>
by 1 April.</span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=8352813660745715958" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><span style="font-family: "cambria" , serif; font-size: 12pt; line-height: 110%; margin: 0px;">Organiser: Kirsti Bohata: <span style="margin: 0px;"><a href="https://www.blogger.com/null"><u><span style="color: blue;">k.bohata@swansea.ac.uk</span></u></a></span>
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<br />Kirsti Bohatahttp://www.blogger.com/profile/04929112925108258527noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-84669964561227223952019-02-05T16:41:00.001+00:002019-02-05T16:41:17.397+00:00Extended Deadline: Multilingual Literatures / Llenyddiaethau Amlieithog<br />
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<b><span style="color: black; font-size: 18.0pt; mso-fareast-language: EN-GB;">CALL FOR PAPERS</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Multilingual Literatures. Interdisciplinary Conference </span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span style="mso-fareast-language: EN-GB;">Keynotes
Speakers</span></b><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="mso-fareast-language: EN-GB;">Professor Doris
Sommer (Harvard)<o:p></o:p></span></div>
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<span style="mso-fareast-language: EN-GB;">Professor Carl
Tighe (Derby)<o:p></o:p></span></div>
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<span style="mso-fareast-language: EN-GB;">Professor Daniel
Williams (Swansea)<o:p></o:p></span></div>
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<b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Venue</span></b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">: Gregynog Hall, Nr. Newtown, Wales (</span><span style="font-size: 12.0pt; mso-fareast-language: EN-GB;"><a href="http://www.gregynog.org/"><span style="color: blue;">www.gregynog.org</span></a><span style="color: black;">)</span></span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Dates</span></b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">: 17-19 July 2019</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-fareast-language: EN-GB;">Knowledge
of multiple languages was once common for most writers who chose their idiom
according to the purpose of their text and its intended readership (Forster).
It has been argued that it was only with the rise of the nation state in the
eighteenth and nineteenth centuries and its dependence on a unique <i>Sprachgeist</i>
(Herder) that literary production came to be coupled to a national tongue
(Anderson). In the current age of globalisation, knowledge of another language
is increasingly rare among Anglophone writers, while in other parts of the
world an ability to use English as a second language is a basic skill. In
literary expression translated English genres and styles threaten to crowd out
native or mother-tongue traditions (Mizumura), while English simultaneously
absorbs outside influences and Anglophone readers shun translations. </span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-fareast-language: EN-GB;">This
conference sets out to explore diverging trends across minor and major
languages, especially those with an established presence in Europe with respect
to individual authors or literary periods, extending from the Medieval to the
contemporary. It addresses the following questions:</span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-fareast-language: EN-GB;">How
may we define such terms as ‘multilingual fiction’ or ‘multilingual poetry’
with respect to theory and / or practice?</span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-fareast-language: EN-GB;">In
the modern era, how far do multilingual writers function as cultural
intermediaries between states or language communities?</span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="mso-fareast-language: EN-GB;">What roles can such
writers play in periods of upheaval or conflict which involve their two
language communities and threaten to call into question their dual
affiliations?<o:p></o:p></span></div>
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<span style="mso-fareast-language: EN-GB;">Is their
bilingualism a factor in their reception, as evidenced in reviews and other
public discussions of their work, or do they try to conceal it?<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-fareast-language: EN-GB;">To
what extent does language knowledge affect choices of subject-matter,
perspective, genre, and styles?</span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="font-size: 12.0pt; mso-fareast-language: EN-GB;">We
invite proposals for papers on any topic related to multilingual literatures
from across the literary and linguistic disciplines. </span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Themes may include</span></b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">:</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Language choice and power</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">The translingual and ‘born translated’ (Walkowitz) </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Language switching, borrowing and mixing</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Invented languages</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Intercultural / lingual mediation and cultural appropriation</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">The ‘Modern Languages’ novel</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Literary calques</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Depictions of the foreign, including other languages</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Creative approaches to representing multilingualism in poetry and
fiction</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Language games</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Multilingual writing</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Proposals for papers or panels in languages other than English are
welcome. We are planning to publish a selection of the papers.</span><span style="color: black; mso-fareast-language: EN-GB;"> </span><span style="font-size: 12.0pt; mso-fareast-language: EN-GB;">Please send the following details by <span style="color: #1f497d;">15 February 2019 (extension for English Studies) </span>to
the conference organisers: title; 200-word abstract; affiliation or
professional background.</span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Some bursaries are available for postgraduate students.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Conference Organisers</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Professor Julian Preece (<a href="mailto:j.e.preece@swansea.ac.uk"><span style="color: blue;">j.e.preece@swansea.ac.uk</span></a>)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Dr Aled Rees (<a href="mailto:aled.d.rees@swansea.ac.uk"><span style="color: blue;">aled.d.rees@swansea.ac.uk</span></a>)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Swansea University</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Advisory Board</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Dr Thomas Bak (Edinburgh / Bilingualism Matters)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Professor Patrick McGuiness (Oxford)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Dr Abdel-Wahab Khalifa (Cardiff)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Dr Anna Metcalfe (Birmingham)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Dr Zoe Skoulding (Bangor)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="IT" style="color: black; font-size: 12.0pt; mso-ansi-language: IT; mso-fareast-language: EN-GB;">Professor Antonella Sorace
(Edinburgh / Bilingualism Matters</span><span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: IT; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">Multilingual Literatures is part of the <i>Cross-Languages Dynamics:
Reshaping Communities</i> </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="color: black; font-size: 12.0pt; mso-fareast-language: EN-GB;">project funded by the Arts and Humanities Research Council through the
Open World Research Initiative.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="font-size: 10.0pt; mso-fareast-language: EN-GB;"><a href="https://multilingualliteratures.wordpress.com/"><span lang="DE" style="color: blue; mso-ansi-language: DE;">https://multilingualliteratures.wordpress.com</span></a></span><span lang="DE" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: DE; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="CY" style="color: black; font-size: 18.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">GALWAD AM BAPURAU</span></b><span lang="DE" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: DE; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Llenyddiaethau
Amlieithog - </span></b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;"> <b>Cynhadledd
Ryngddisgyblaethol </b></span><span lang="DE" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: DE; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;">Prif Siaradwyr</span></b><span lang="DE" style="mso-ansi-language: DE; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;">Yr Athro Doris Sommer (Harvard)</span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;">Yr Athro Carl Tighe (Derby)</span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;">Yr Athro Daniel Williams (Abertawe)</span><span style="mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Lleoliad</span></b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">: Neuadd Gregynog, ger Y Drenewydd, Cymru (</span><span lang="CY" style="font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;"><a href="http://www.gregynog.org/"><span style="color: blue;">www.gregynog.org</span></a><span style="color: black;">)</span></span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Dyddiadau</span></b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">: 17 - 19 Gorffennaf 2019</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Ar un adeg, roedd hyfedredd mewn sawl iaith yn
gyffredin i'r rhan fwyaf o ysgrifenwyr a fyddai'n dewis iaith ysgrifennu ar
sail diben y testun a'r gynulleidfa darged (Forster). Mae rhai wedi dadlau mai
cynnydd y genedl-wladwriaeth yn y ddeunawfed ganrif a'r bedwaredd ganrif ar
bymtheg, a'i dibyniaeth ar <i>Sprachgeist</i> unigryw (Heder), oedd yn gyfrifol
am y cysylltiad agos rhwng gwaith llenyddol ac iaith genedlaethol (Anderson).
Yn yr oes globaleiddio bresennol, mae hyfedredd mewn iaith arall yn gynyddol
brin ymhlith awduron mai Saesneg yw eu hiaith gyntaf, ond mewn rhannau eraill
o'r byd, mae'r gallu i ddefnyddio Saesneg fel ail iaith yn sgil sylfaenol. Mewn
mynegiant llenyddol, mae cyfieithiadau o genres ac arddulliau Saesneg yn bygwth
gwthio traddodiadau brodorol neu famiaith o’r neilltu (Mizumura) tra, ar yr un
pryd, mae Saesneg yn amsugno dylanwadau allanol ac mae darllenwyr Saesneg eu
hiaith yn osgoi cyfieithiadau. </span><span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Bwriad y gynhadledd hon yw archwilio tueddiadau
gwahanol ar draws ieithoedd llai ac ieithoedd mawr, yn enwedig y rhai â
phresenoldeb sefydledig yn Ewrop o ran awduron unigol neu gyfnodau llenyddol,
o'r Canol Oesoedd i'r presennol. Mae'n mynd i'r afael â'r cwestiynau canlynol:</span><span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Sut gallwn ddiffinio termau megis 'ffuglen
amlieithog' neu 'farddoniaeth amlieithog' mewn perthynas â damcaniaeth a/neu
ymarfer?</span><span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Yn yr oes fodern, i ba raddau y mae ysgrifenwyr
amlieithog yn gweithredu fel cyfryngwyr diwylliannol rhwng gwladwriaethau neu
gymunedau iaith?</span><span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;">Pa rolau y gall ysgrifenwyr eu chwarae yn ystod cyfnodau o newid mawr
neu wrthdaro sy'n cynnwys cymunedau eu dwy iaith ac yn bygwth bwrw amheuaeth ar
eu teyrngarwch deuol?<o:p></o:p></span></div>
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<span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;">Ydy eu dwyieithrwydd yn elfen yn yr ymateb i'w gwaith, fel y'i gwelir
mewn adolygiadau a thrafodaethau cyhoeddus eraill am eu gwaith, neu a ydynt yn
ceisio ei guddio?<o:p></o:p></span></div>
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<span lang="CY" style="font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">I ba raddau y mae hyfedredd mewn iaith yn
effeithio ar ddewis maes pwnc, safbwynt, genre ac arddull?</span><span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Rydym yn gwahodd cynigion ar gyfer papurau ar
unrhyw bwnc sy'n berthnasol i lenyddiaethau amlieithog o'r holl ddisgyblaethau
llenyddol ac ieithyddol. </span><span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Gall themâu gynnwys:</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Dewis a phŵer iaith </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Y trawsieithog a 'cyfieithiad
wrth ei eni’ (Walkowitz) </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Newid rhwng ieithoedd,
benthyca a chymysgu</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Ieithoedd ffug</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Cyfryngu rhwng
diwylliannau/ieithoedd a meddiannu diwylliannol</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Y nofel 'Ieithoedd Modern'</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Dynwarediadau llenyddol</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Darluniadau o'r estron, gan
gynnwys ieithoedd eraill</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Ffyrdd creadigol o gynrychioli
amlieithrwydd mewn barddoniaeth a ffuglen</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Gemau iaith</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Ysgrifennu amlieithog</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Croesewir cynigion ar gyfer
papurau neu baneli mewn ieithoedd heblaw am Saesneg. Rydym yn bwriadu cyhoeddi
detholiad o'r papurau.</span><span lang="CY" style="color: black; mso-ansi-language: CY; mso-fareast-language: EN-GB;"> </span><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;"> Anfonwch y
manylion canlynol at drefnwyr y gynhadledd: teitl; crynodeb 200 o eiriau;
perthynas â sefydliad neu gefndir proffesiynol; ieithoedd y mae gennych
hyfedredd ynddynt.</span><span lang="CY" style="mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Mae nifer o fwrsariaethau ar
gael i fyfyrwyr ôl-raddedig.</span><span lang="CY" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Trefnwyr y Gynhadledd</span></b><span lang="CY" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Julian Preece (<a href="mailto:j.e.preece@abertawe.ac.uk"><span style="color: blue;">j.e.preece@abertawe.ac.uk</span></a>)</span><span lang="ES-TRAD" style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: ES-TRAD; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Dr Aled Rees (<a href="mailto:aled.d.rees@abertawe.ac.uk"><span style="color: blue;">aled.d.rees@abertawe.ac.uk</span></a>)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Prifysgol Abertawe</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Bwrdd Ymgynghorol</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Dr Thomas Bak (Caeredin /
Bilingualism Matters)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Yr Athro Patrick McGuiness
(Rhydychen)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Dr Abdel-Wahab Khalifa
(Caerdydd)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Dr Anna Metcalfe (Birmingham)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Dr Zoe Skoulding (Bangor)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Yr Athro Antonella Sorace
(Caeredin / Bilingualism Matters</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="CY" style="color: black; font-size: 12.0pt; mso-ansi-language: CY; mso-fareast-language: EN-GB;">Mae Llenyddiaethau Amlieithog
yn rhan o'r prosiect <i>Cross-Languages Dynamics: Reshaping Communities</i> a
ariennir gan Gyngor Ymchwil y Celfyddydau a'r Dyniaethau drwy'r fenter Ymchwil
Open World.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<span style="font-size: 10.0pt; mso-fareast-language: EN-GB;"><a href="https://multilingualliteratures.wordpress.com/"><span style="color: blue;">https://multilingualliteratures.wordpress.com</span></a></span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-language: EN-GB;"><o:p></o:p></span></div>
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<br />Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-4894392637545486902018-04-21T11:43:00.000+01:002018-04-21T11:48:43.443+01:00Welsh Europeanisms: Laura Wainwright on Glyn Jones and Herman Hesse<style type="text/css">
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<b>Canolfan Richard Burton Centre * Academi Rhodri Morgan * CREW</b></div>
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<span class="s1"><b><i>Cyfres Seminarau 2017 – 18 | Seminar Series 2017 </i></b></span><span class="s2"><b><i>–</i></b></span><span class="s1"><b><i> 18</i></b></span></div>
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<span class="s1">Ewropaethau Cymreig: Llenyddiaeth • Gwleidyddiaeth • Hanes</span></div>
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<span class="s1">Welsh Europeanisms: Literature • Politics • History</span></div>
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<span class="s1"> </span></div>
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<span class="s1"><b>Laura Wainwright</b></span></div>
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<span class="s1"><b>Coleg Gwent</b></span></div>
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<span class="s1"><b></b></span><br /></div>
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<span class="s1"><b>‘Welsh Europeanisms:<span class="Apple-converted-space"> </span></b></span></div>
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<span class="s1"><b>Glyn Jones’s <i>The Island of Apples</i> and Hermann Hesse’s <i>Demian</i>’</b></span></div>
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<span class="s1">4yp, Dydd Llun, 23 Ebrill, Keir Hardie Ystafell 115<br />
4pm, Monday, 23 April, Keir Hardie Room 115</span></div>
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<span class="s1"><b><i>Croeso i bawb | All welcome</i></b></span></div>
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<span class="s1">Canolfan Astudiaethau Cymreig Richard Burton</span></div>
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<span class="s1">Richard Burton Centre for the Study of Wales</span></div>
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<span class="s1">Contact/Cyswllt: Prof Daniel Williams (<a href="mailto:Daniel.G.Williams@Swansea.ac.uk"><span class="s3">Daniel.G.Williams@Swansea.ac.uk</span></a>)</span></div>
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Copies of Laura Wainwright's brand new book in the CREW series will also be available at the event. </div>
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Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-8674822534083093992018-02-12T12:50:00.001+00:002018-02-12T12:50:02.080+00:00Welsh Europeanisms: M Wynn Thomas on 'Eutopia'<div id="divRpF895909" style="font-family: 'Times New Roman'; font-size: 16px;">
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<b><span style="color: #c00000; font-family: "arial" , sans-serif;">Canolfan Richard Burton Centre • Academi Rhodri Morgan • CREW</span></b></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 10pt;">Cyfres Seminarau 2017 – 18 | Seminar Series 2017 - 18</span></b></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 10pt;">Ewropaethau Cymreig: Llenyddiaeth • Gwleidyddiaeth • Hanes</span></b></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 10pt;">Welsh Europeanisms: Literature • Politics • History</span></b></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 12pt; line-height: 24px;">Yr Athro | Professor M. Wynn Thomas</span></b><span style="font-size: 12pt; line-height: 24px;"></span></div>
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<span style="font-family: "arial" , sans-serif;">Canolfan Ymchwil i Lên ac Iaith Saesneg Cymru, Prifysgol Abertawe<br />Centre for Research into the English Literature and Language of Wales, Swansea University</span></div>
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<b><span style="color: #c00000; font-family: "arial" , sans-serif; font-size: 12pt; line-height: 24px;">‘Eutopia: A Welsh Imaginary’</span></b><span style="color: #c00000; font-family: "arial" , sans-serif; font-size: 12pt; line-height: 24px;"> </span><span style="color: #c00000; font-size: 12pt; line-height: 24px;"></span></div>
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<b><span style="font-family: "arial" , sans-serif;">4yh, Dydd Llun, 12 Chwefror, Keir Hardie, Ystafell 115</span></b></div>
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<b><span style="font-family: "arial" , sans-serif;">4pm, Monday, 12 February, Keir Hardie, Room 115</span></b></div>
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<i><span style="font-family: "arial" , sans-serif;">Croeso i bawb | All welcome</span></i></div>
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Canolfan Astudiaethau Cymreig Richard Burton</div>
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Richard Burton Centre for the Study of Wales</div>
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Contact/Cyswllt: Yr Athro/Prof Daniel Williams: <a href="mailto:Daniel.G.Williams@Swansea.ac.uk" style="color: purple;" target="_blank">Daniel.G.Williams@Swansea.ac.uk</a></div>
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Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-88168177848473601222017-11-15T20:51:00.001+00:002017-11-15T20:51:48.972+00:00Two Thomases: M. Wynn on R.S. / Y Thomasiaid<div class="separator" style="clear: both; text-align: center;">
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<br />Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-75935164695652292652017-11-15T20:48:00.005+00:002017-11-15T20:48:54.965+00:00Welsh Europeanisms: Seminars 17-18 / Ewropaethau Cymreig<div class="separator" style="clear: both; text-align: center;">
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<br />Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-90744551513547325892017-11-10T20:37:00.002+00:002017-11-10T20:38:30.330+00:00Welsh Europeanisms 2: Richard Glyn Roberts<h3 class="post-title entry-title" itemprop="name" style="color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 22px; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative;">
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<span style="font-size: xx-small;">Canolfan Richard Burton Centre * Academi Rhodri Morgan * CREW</span><br />
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Cyfres Seminarau 2017 – 18 | Seminar Series 2017 -18<br />
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Ewropaethau Cymreig: </h3>
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Llenyddiaeth • Gwleidyddiaeth • Hanes</h3>
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Welsh Europeanisms: Literature • Politics • History</h3>
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Richard Glyn Roberts, University College Dublin</h2>
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<br />'A Foucauldian Interpretation of language death in Wales and beyond'</h2>
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4yh, Dydd Llun, 13 November, Keir Hardie Ystafell 115<br />
4pm, Monday, 13 November, Keir Hardie Room 115<br />
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Croeso i bawb | All welcome</div>
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Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-57202859112888312932017-10-24T17:42:00.002+01:002017-10-26T08:16:42.854+01:00Siriol McAvoy on Lynette Roberts<div class="MsoNormal" style="text-align: center;">
<b><span lang="EN-US" style="font-size: 11pt;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Canolfan Richard Burton * Academi Rhodri Morgan * CREW</span></span></b></div>
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<b><span lang="EN-US" style="font-size: 11pt;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Seminar Series / Cyfres Seminarau 2017 - 18</span></span></b></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif;"><span style="font-size: x-large;">Welsh Europeanisms</span></span></b></h2>
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<span style="font-family: times new roman, serif; font-size: x-large;">Ewropaethau Cymreig</span></h3>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif;">Literature. Politics. History</span></b></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif;">Llenyddiaeth. Gwleidyddiaeth. Hanes</span></b></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif;">4pm, Monday, October 30, </span>Keir Hardie Building. Room 115</b><br />
<b><span lang="EN-US" style="font-family: "times new roman" , serif;">4yh, Dydd Llun, Hydref 30, Adeilad Keir Hardie, Ystafell 115</span></b></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif;"><span style="font-size: large;">Siriol McAvoy, Research Fellow, CREW</span></span></b></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; font-style: italic;"><span style="font-size: large;">"I felt like running off to France and selling
my British status”: </span></span><span lang="EN-US" style="font-family: "times new roman" , serif;"><span style="font-size: large;">Lynette Roberts, Welsh modernism, and the call of Europe</span></span></div>
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<span style="font-family: "times"; font-size: 11.0pt;">Argentinian-Welsh poet Lynette Roberts tends to be identified with a
‘localist’ strand of modernism, rooted in her ‘milltir sgwâr’ of Llanybri,
Carmarthenshire. </span><span style="font-size: 11pt;"><span style="font-family: "times new roman" , serif;">But she can also be seen as an
‘international-regionalist’, for her writing seeks continuously to open up the
borders of Wales to other times and spaces. In this paper, I address Roberts’s
engagement with the cultures of Europe, suggesting that this illuminates her
own fluid, multifarious sense of belonging as a ‘colonial’ (and Welsh) woman
writer.</span></span></div>
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<span style="background: white; font-family: "times new roman" , serif; font-size: 11pt;">Firstly I excavate Roberts's internationalism and
solidarity with Europe in the context of the socio-political developments that
marked the 1930s and 40s, including the rise of Fascism. Summarising the importance
of her ‘continental migrations to Europe’ around this time, I turn to consider her
engagement with the European avant-garde (Symbolist theatre, Surrealism,
modernist design including Bauhaus and Le Corbusier). The third part of the
paper will examine Roberts's interest in (what she sees as a) trans-European
folk culture. Presenting her support for 'peasant' peoples and
the rural dispossessed as indicative of her feminist and culturalist vision, I
suggest that she fuses Welsh and European folk culture
with avant-garde aesthetics in order to construct a new form of
‘naive modernism’ that champions a cultural rootedness without borders.<o:p></o:p></span></div>
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Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-31525647130356205702017-10-06T15:03:00.000+01:002017-10-06T15:03:44.054+01:00A DEVOLUTIONARY WRITER: Ian Rowlands<br />
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<b><span style="color: #cc0000; font-size: 10pt;"><span style="font-family: "calibri";">PUBLIC LECTURE</span></span></b></div>
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<span style="font-size: 10pt;"><span style="font-family: "calibri";">Swansea University</span></span></div>
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<b><span style="font-family: "calibri";">A Richard Burton
Centre Lecture in collaboration with Academi Hywel Teifi</span></b></div>
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<b><span style="color: #cc0000; font-family: "arial" , "sans-serif"; font-size: 14pt;">A
DEVOLUTIONARY WRITER<br />
Ian Rowlands</span></b></div>
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<span style="font-family: "calibri";">Twenty years since the night that Wales voted to bring
itself into being, playwright Ian Rowlands has come to realise the seizmic
effect Devolution has had upon his work. In this lecture, Rowlands will both
contextualise and read excerpts of his work that mark him out as a
Devolutionary writer.<br />
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<b>Speaker's Biography</b><br />
Ian Rowlands was born in the Rhondda. He has been called “the theatrical
conscience of modern Wales” and his talent described as “a fusion of Dylan
Thomas and The Manic Street Preachers”. As a theatre director, he has been at
the helm of four Welsh theatre companies and his film 'A Light in the Valley'
(director: Michael Bogdanov) won a Royal TV Society award in 2000. The author
of fifteen plays, including Blink (which toured Wales, ran Off-Broadway and was
adapted for Radio Cymru) and Desire Lines (Sherman Cymru). Radio credits
include Gwennie (Radio 4) and several Radio Cymru and Radio Wales commissions.
The recipient of two Creative Wales Awards, Ian recently realised Y Gadair Wag
- a multi-media staged lecture with the National Poet of Wales Ifor ap Glyn. He
is currently developing Aurora Borealis, a Welsh / Icelandic project.</span></div>
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</span><b><span style="color: black; font-family: "calibri" , "sans-serif"; font-size: 12pt;">Wednesday 11 October 2017: 6 p.m.<br />
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Location: Callaghan Lecture Theatre, Callaghan Building, Singleton Park Campus,
Swansea University</span></b><span style="color: black; font-family: "calibri" , "sans-serif"; font-size: 11pt;"><br />
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</span><span style="font-family: "calibri" , "sans-serif"; font-size: 11pt;">Free admission. All welcome. <br />
Lecture will be given in English.<br />
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Enquiries: Professor Daniel Williams (<a href="mailto:daniel.g.williams@swansea.ac.uk" target="_blank"><span style="color: blue;">daniel.g.williams@swansea.ac.uk</span></a>)</span>Kirsti Bohatahttp://www.blogger.com/profile/04929112925108258527noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-73934337050253733712017-05-23T15:35:00.002+01:002017-05-23T15:35:40.752+01:00May Day Manifesto @ Hay Festival - Friday 26th MayIt is 50 years since the publication of the groundbreaking <i>May Day Manifesto</i>, edited by Raymond Williams. To celebrate this milestone, and to reflect on its relevance today, the Richard Burton Centre's Director Daniel Williams will be joined in discussion by Bonnie Greer, Stefan Collini, Merryn Williams and Leanne Wood. More information, and how to book, can be found <a href="https://www.hayfestival.com/p-12120-bonnie-greer-leanne-wood-merryn-williams-daniel-williams-and-stefan-collini.aspx" target="_blank">here</a>.<br />
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<span id="goog_835597951"></span><span id="goog_835597952"></span><br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-78167671060523934702017-03-06T08:28:00.000+00:002017-03-06T08:28:07.505+00:00Mining the MeaningRichard Burton Research Fellow Tomoki Takayama will deliver the first of our postgraduate discussion groups for this year at 3pm, Monday 6th March, in KH241.<br />
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Dr Takayama has been with us since October, working on the Raymond Williams papers in the Richard Burton archives.<br />
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Preparatory reading is Raymond Williams, 'Mining the Meaning' in the posthumous collection <i>Resources of Hope</i> (Verso, 1989).<br />
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Cynhelir y cyntaf o'n grwpiau trafod ar gyfer ol-raddedigion ar ddydd Llun, Mawrth 6, and 3 yn ystafell KH241. Croeso i bawb.Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-9125387069316385382016-12-04T16:39:00.002+00:002016-12-04T16:39:15.791+00:00M Wynn Thomas Lecture: December 6 2016<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1uoFerx9rGTZXs8YlCzsxO6TW4ZHjsmd9u8sv1AInKoI2h4g3cuFQDeaj-taK5I7g1-znZTR98CbzLTOAY01pJQ8N8po-0fYZck_VMFzYmFpIgR08HXLqOBsVopAFm1OR92JlN7weTyY/s1600/Studying-Wales-Today-poster-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1uoFerx9rGTZXs8YlCzsxO6TW4ZHjsmd9u8sv1AInKoI2h4g3cuFQDeaj-taK5I7g1-znZTR98CbzLTOAY01pJQ8N8po-0fYZck_VMFzYmFpIgR08HXLqOBsVopAFm1OR92JlN7weTyY/s640/Studying-Wales-Today-poster-1.jpg" width="452" /></a></div>
<br />Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-66916166208970377372016-12-04T16:38:00.004+00:002016-12-04T16:38:24.176+00:00Dai Smith Launch<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxCFMHSWI6X0Uta3WRZ-CIGyrSOfapKAsf6KAyYBQrQvJZCY35psLMxjZukzvgHpEgjZ5mLBoHOb72f5BElJmELNZ0cU5tNgXuVi1TNwjIJfTFZvp98AlwbajHagIIyU8hIOCfwubRjXw/s1600/dai+smith+flyerJPEG.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxCFMHSWI6X0Uta3WRZ-CIGyrSOfapKAsf6KAyYBQrQvJZCY35psLMxjZukzvgHpEgjZ5mLBoHOb72f5BElJmELNZ0cU5tNgXuVi1TNwjIJfTFZvp98AlwbajHagIIyU8hIOCfwubRjXw/s640/dai+smith+flyerJPEG.jpg" width="452" /></a></div>
<br />Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0tag:blogger.com,1999:blog-8352813660745715958.post-11511053036881203382016-10-31T10:31:00.001+00:002016-10-31T10:36:40.666+00:00Paul Robeson Seminar / November<span style="font-family: "calibri";"><br /></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMmbMy388Vpey7aHt1v9vkOgAqAv4yNNooJaEWp-hFvJ8q8GvYAALhzyHsCYmloWwDhsSxiRm1gZ1Y-Z2Npj3COc3nWLcbpusfKSqAQQ2aAEerFLLjr-Tr-AaeBqPhsv3Owt7mZHkHC6c/s1600/Transatlantic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMmbMy388Vpey7aHt1v9vkOgAqAv4yNNooJaEWp-hFvJ8q8GvYAALhzyHsCYmloWwDhsSxiRm1gZ1Y-Z2Npj3COc3nWLcbpusfKSqAQQ2aAEerFLLjr-Tr-AaeBqPhsv3Owt7mZHkHC6c/s200/Transatlantic.jpg" width="200" /></a><br />
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Arts and Humanities Conference Room, B03.<br />
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Ystafell Gynadledda’r Celfyddydau a’r Dyniaethau, B03.<br />
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Wednesday, November 2, <span style="mso-spacerun: yes;"> </span>2pm – 3.30 pm <br />
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Dydd Mercher, Tachwedd 2, 2pm – 3.30pm</div>
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To coincide with Marilyn Robeson’s visit this seminar will explore recent work in African American studies at Swansea University.<br />
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Yn ystod ymweliad Marilyn Robeson â Phrifysgol Abertawe, cynhelir seminar ymchwil ar waith diweddar ym maes astudiaethau Affro-Americanaidd. <br />
<strong><br />Opening Remarks: Hywel Francis.</strong><br />
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<strong>Rachel Farebrother, 'The Styling of Black Diasporic Identity in Eslanda Goode Robeson's <em>Paul Robeson, Negro</em> (1930)'</strong><br />
<strong><br /></strong><strong>Clare Davies, 'Patronizing the Primitive? Dorothy Edwards, Nella Larsen, and modernist patronage networks'</strong><br />
<strong><br /></strong><strong>Daniel Williams, ‘Michael S. Harper, Paul Robeson and Remembering Aberfan’</strong><br />
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<span style="font-size: x-small;">On Robeson’s Welsh connection see these previous blog entries:</span><br />
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<span style="font-size: x-small;"><a href="http://crewswansea.blogspot.co.uk/2008/10/paul-robeson-seminar-series.html">http://crewswansea.blogspot.co.uk/2008/10/paul-robeson-seminar-series.html</a></span><br />
<a href="http://crewswansea.blogspot.co.uk/2010/10/susan-robeson-yn-yr-eisteddfod-susan.html"><span style="font-size: x-small;">http://crewswansea.blogspot.co.uk/2010/10/susan-robeson-yn-yr-eisteddfod-susan.html</span></a><br />
<a href="http://www.iwa.wales/click/2010/07/the-aneurin-bevan-and-paul-robeson-connection/"><span style="font-size: x-small;">http://www.iwa.wales/click/2010/07/the-aneurin-bevan-and-paul-robeson-connection/</span></a></div>
Daniel Williamshttp://www.blogger.com/profile/14604572941468323073noreply@blogger.com0